|
Jimi Hendrix
|
http://www.jimihendrix.com/us/home
|
| |
Date |
Venue - City, State |
Sound Quality | Source | Notes | Media |
|
| 1. |
02/13/67 |
BBC Radio Studios - Broadcasting House - London,
England |
A | Studio Soundboard Reel | The Complete BBC Radio Sessions 1967 ...and more!
[A Prof. Stoned Comp 2020]
Recorded: BBC Broadcasting House, London, UK; Monday 13 February 1967
Broadcast: BBC Radio 'Saturday Club'; 18 February 1967
Host: Brian Matthew
Producer: Bill Bebb
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************
Note:
The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs.
So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape.
I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required.
[* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.]
Audio Sources Supplied & Research by JWB
More research & Mastering: PS
v1.0: 06-07-2020
v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0)
----------------------------------------------------------------------------------------------------
Sources:
- Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following:
- BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16
- BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28
- BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33
- 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00
- various BBC Transcriptions (used to fill out intro's/outro's)
----------------------------------------------------------------------------------------------------
***Bonus Material***
----------------------------------------------------------------------------------------------------
34. Manic Depression
1967-04-17 'Late Night Line Up'- BBC TV, London, UK
35. 'Intro by Simon Dee with false start'
36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track]
1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK
Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release.
----------------------------------------------------------------------------------------------------
37. 'Introduction #1'
38. Foxy Lady
39. 'Introduction #2'
40. Catfish Blues
41. Purple Haze
1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands
Producer: Wim van der Linden
Engineer: Adrie Ottenvanger
Host: Roselie Peters
A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived.
----------------------------------------------------------------------------------------------------
|
FLAC
|
|
| 2. |
03/18/67 |
Studio 1 - NDR Funkhaus - Hamburg,
West Germany |
A- | Broadcast Mixdown Reel >Cassette >WAV >FLAC | Less Than 30 Minutes. |
0 FLAC
|
|
| 3. |
03/28/67 |
BBC Radio Studios - Broadcasting House - London,
England |
A | Studio Soundboard Reel | The Complete BBC Radio Sessions 1967 ...and more!
[A Prof. Stoned Comp 2020]
Recorded: BBC Broadcasting House, London, UK; Tuesday 28 March 1967
Broadcast: BBC Radio 'Top Gear'; 1 April 1967
Host: Brian Matthew
Producer: Bill Bebb
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************
Note:
The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs.
So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape.
I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required.
[* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.]
Audio Sources Supplied & Research by JWB
More research & Mastering: PS
v1.0: 06-07-2020
v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0)
----------------------------------------------------------------------------------------------------
Sources:
- Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following:
- BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16
- BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28
- BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33
- 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00
- various BBC Transcriptions (used to fill out intro's/outro's)
----------------------------------------------------------------------------------------------------
***Bonus Material***
----------------------------------------------------------------------------------------------------
34. Manic Depression
1967-04-17 'Late Night Line Up'- BBC TV, London, UK
35. 'Intro by Simon Dee with false start'
36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track]
1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK
Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release.
----------------------------------------------------------------------------------------------------
37. 'Introduction #1'
38. Foxy Lady
39. 'Introduction #2'
40. Catfish Blues
41. Purple Haze
1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands
Producer: Wim van der Linden
Engineer: Adrie Ottenvanger
Host: Roselie Peters
A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived.
----------------------------------------------------------------------------------------------------
|
FLAC
|
|
| 4. |
10/06/67 |
BBC Studios - The Playhouse Theatre - London,
England |
A | Studio Soundboard Reel | The Complete BBC Radio Sessions 1967 ...and more!
[A Prof. Stoned Comp 2020]
features Jimi, Noel & Stevie Wonder on drums (and faint vocals). The first take of Driving South is slightly edited. The complete version only exists as a poor off-air recording.
Recorded: BBC Playhouse Theatre, London, UK; Friday 6 October 1967
Broadcast: BBC Radio 'Top Gear'; 15 October 1967
Producer: Bernie Andrews
Engineer: Pete Ritzema
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************
Note:
The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs.
So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape.
I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required.
[* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.]
Audio Sources Supplied & Research by JWB
More research & Mastering: PS
v1.0: 06-07-2020
v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0)
----------------------------------------------------------------------------------------------------
Sources:
- Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following:
- BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16
- BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28
- BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33
- 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00
- various BBC Transcriptions (used to fill out intro's/outro's)
----------------------------------------------------------------------------------------------------
***Bonus Material***
----------------------------------------------------------------------------------------------------
34. Manic Depression
1967-04-17 'Late Night Line Up'- BBC TV, London, UK
35. 'Intro by Simon Dee with false start'
36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track]
1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK
Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release.
----------------------------------------------------------------------------------------------------
37. 'Introduction #1'
38. Foxy Lady
39. 'Introduction #2'
40. Catfish Blues
41. Purple Haze
1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands
Producer: Wim van der Linden
Engineer: Adrie Ottenvanger
Host: Roselie Peters
A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived.
----------------------------------------------------------------------------------------------------
|
FLAC
|
|
| 5. |
10/17/67 |
BBC Studios - The Playhouse Theatre - London,
England |
A | Studio Soundboard Reel | The Complete BBC Radio Sessions 1967 ...and more!
[A Prof. Stoned Comp 2020]
Recorded: BBC Aeolian Hall, Studio 2, London, UK; Tuesday 17 October 1967
Broadcast: BBC World Service 'Rhythm And Blues'; 13 November 1967
Host: Alexis Korner
Producer: Jeff Griffin
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************
Note:
The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs.
So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape.
I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required.
[* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.]
Audio Sources Supplied & Research by JWB
More research & Mastering: PS
v1.0: 06-07-2020
v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0)
----------------------------------------------------------------------------------------------------
Sources:
- Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following:
- BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16
- BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28
- BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33
- 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00
- various BBC Transcriptions (used to fill out intro's/outro's)
----------------------------------------------------------------------------------------------------
***Bonus Material***
----------------------------------------------------------------------------------------------------
34. Manic Depression
1967-04-17 'Late Night Line Up'- BBC TV, London, UK
35. 'Intro by Simon Dee with false start'
36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track]
1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK
Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release.
----------------------------------------------------------------------------------------------------
37. 'Introduction #1'
38. Foxy Lady
39. 'Introduction #2'
40. Catfish Blues
41. Purple Haze
1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands
Producer: Wim van der Linden
Engineer: Adrie Ottenvanger
Host: Roselie Peters
A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived.
----------------------------------------------------------------------------------------------------
|
FLAC
|
|
| 6. |
12/15/67 |
BBC Studios - The Playhouse Theatre - London,
England |
A | Studio Soundboard Reel | The Complete BBC Radio Sessions 1967 ...and more!
[A Prof. Stoned Comp 2020]
Recorded: BBC Playhouse Theatre, London, UK; Friday 15 December 1967
Broadcast: BBC Radio 'Top Gear'; 24 December 1967
Producer: Bernie Andrews
Engineer: Pete Ritzema
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************
Note:
The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs.
So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape.
I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required.
[* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.]
Audio Sources Supplied & Research by JWB
More research & Mastering: PS
v1.0: 06-07-2020
v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0)
----------------------------------------------------------------------------------------------------
Sources:
- Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following:
- BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16
- BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28
- BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33
- 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00
- various BBC Transcriptions (used to fill out intro's/outro's)
----------------------------------------------------------------------------------------------------
***Bonus Material***
----------------------------------------------------------------------------------------------------
34. Manic Depression
1967-04-17 'Late Night Line Up'- BBC TV, London, UK
35. 'Intro by Simon Dee with false start'
36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track]
1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK
Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release.
----------------------------------------------------------------------------------------------------
37. 'Introduction #1'
38. Foxy Lady
39. 'Introduction #2'
40. Catfish Blues
41. Purple Haze
1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands
Producer: Wim van der Linden
Engineer: Adrie Ottenvanger
Host: Roselie Peters
A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived.
----------------------------------------------------------------------------------------------------
|
FLAC
|
|
| 7. |
01/29/68 |
L'Olympia (late show) - Paris,
France |
A | Soundboard Reel | Disc 2 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 |
0 FLAC
|
|
| 8. |
02/04/68 |
Fillmore Auditorium - San Francisco,
CA |
A | Soundboard | Trade FLACs >WAV >Audacity (Combine Tracks To A One-Track File, Amplify Low-Level Tracks To Match 'Catfish Blues', Which Had Strong Levels, Remove And Repair Minor Gaps Between Tracks, Remove And Repair Tape Flip Pause In 'Dear Mr. Fantasy', Remove And Repair Several Small Static Blips, Re-Track Along Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr |
0 FLAC
|
|
| 9. |
03/15/68 |
Atwood Hall, Clark University - Worcester,
MA |
A- | Soundboard Reel | Some Vocals Sound 'Fuzzy' |
0 FLAC
|
|
| 10. |
03/17/68 |
Cafe A Go-Go - New York,
NY |
A | Soundboard Reel | Disc 3 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 |
0 FLAC
|
|
| 11. |
03/19/68 |
Capitol Theatre (late show) - Ottawa,
ON |
B+ | Soundboard; Cassette Master >1st Gen > ? > CDR (Ottawa 1968 - For Trade Only FTO 010) > EAC > WAV > FLAC | |
0 FLAC
|
|
| 12. |
04/15/68 |
Generation Club - New York,
NY |
A | Soundboard Reel | One Track Only, 'Blues Jam'. Included As Filler On Disc 3 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 |
0 FLAC
|
|
| 13. |
04/15/68 |
Generation Club - New York,
NY |
A | Soundboard | ***********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
*********************************************************************** |
FLAC
|
|
| 14. |
05/10/68 |
Fillmore East - New York,
NY |
A- | Audience Reel | 'THANK YOU, AND I JUST BLEW ANOTHER AMP!'
1st Gen - Digitally restored, Phase & Speed corrected |
0 FLAC
|
|
| 15. |
05/10/68 |
Fillmore East - New York,
NY |
A- | 'One Night Stand' Bootleg CD | *******************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
******************************************************************* |
FLAC
|
|
| 16. |
05/18/68 |
Gulfstream Park - Hallandale,
FL |
A+ | Soundboard Reel | Others Acts On The Bill:
MOTHERS OF INVENTION, JOHN LEE HOOKER, BLUE CHEER,
CRAZY WORLD OF ARTHUR BROWN |
0 FLAC
|
|
| 17. |
10/10/68 |
Winterland Ballroom - San Francisco,
CA |
A- | Soundboard Reel | [Early & Late (Some Digital Tracking Noise In Places)]
Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 18. |
10/11/68 |
Winterland Arena - San Francisco,
CA |
A | Soundboard Reel; 'The Winterland Reels' | (Early)
Tracks 5-7 Are Audience
*******************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
******************************************************************* |
FLAC
|
|
| 19. |
10/11/68 |
Winterland Arena - San Francisco,
CA |
A | Soundboard Reel; 'The Winterland Reels' | (Late)
**********************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
********************************************************** |
FLAC
|
|
| 20. |
10/12/68 |
Winterland Arena (early show) - San Francisco,
CA |
A | Soundboard Reel; The 'Winterland Reels' | (Early)
*******************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
******************************************************************* |
FLAC
|
|
| 21. |
10/12/68 |
Winterland Arena (late show) - San Francisco,
CA |
A | Soundboard Reel; The 'Winterland Reels' | (Late)
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FLAC Tags Via xACT 2.50 By OldNeumanntapr
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FLAC
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|
| 22. |
01/09/69 |
Konserthuset - Stockholm,
Sweden |
A | Soundboard Reel | (Late Show),
Trade CD >FLAC (Level 8) Via xACT 2.36 |
1 FLAC
|
|
| 23. |
01/10/69 |
Falkoner Centret - Copenhagen,
Denmark |
A | Soundboard Reel | Disc 4 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101
Also Includes:
Catfish Blues (09:26) 1968-01-07 Tivolis Konsertsal, Copenhagen, Denmark
Tax Free (11:51) 1969-01-10 Early, Falkoner Centret, Copenhagen, Denmark
Freedom - Jimi (04:04) 1970-09-03 K. B. Hallen, Copenhagen, Denmark |
0 FLAC
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|
| 24. |
01/17/69 |
Jahrhunderthalle - Frankfurt,
Germany |
B+ | Audience Reel | Vocals Muffled But Guitar Is Clear |
0 FLAC
|
|
| 25. |
02/18/69 |
Royal Albert Hall - London,
UK |
B+ | Soundboard | Levels A Little Low, Vocals A Little Muddy. Listed As Soundboard But Could Be Audience. |
0 FLAC
|
|
| 26. |
02/24/69 |
Royal Albert Hall - London,
England |
A | Soundboard Reel | Disc II Fill: 3/18/67 Hamburg, Germany; Broadcast Mixdown Reel >Cassette >WAV >FLAC |
2 FLAC
|
|
| 27. |
04/26/69 |
The Forum - Inglewood,
CA |
A | Soundboard Reel | 'I Don't Live Today' Bootleg CD |
1 FLAC
|
|
| 28. |
04/26/69 |
The Forum - Inglewood,
CA |
A | Soundboard Reel | Disc 1 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 |
0 FLAC
|
|
| 29. |
05/24/69 |
San Diego Sports Arena - San Diego,
CA |
A | Soundboard Reel | Trade CD >FLAC (Level 8) Via xACT 2.44 |
1 FLAC
|
|
| 30. |
06/20/69 |
Newport 1969 Pop Festival - Northridge,
CA |
A | Soundboard Recording From Rolls 5 and 6 60Min 2 Track Ampex-No Dolby | Trade CD >FLAC (Level 8) Via xACT 2.47 |
1 FLAC
|
|
| 31. |
06/22/69 |
San Fernando Valley State College - Devonshire Downs,
CA |
A | Stereo Soundboard Recording From Rolls 14, 15, and 16 100Min 2 Track Ampex-No Dolby; Recorded From The Mobile Recording Track | Trade CDs >FLAC (Level 8) Via xACT 2.47 |
2 FLAC
|
|
| 32. |
08/18/69 |
Woodstock Festival - Bethel,
NY |
A | Soundboard; Reel >PCM >CDR >FLAC | Woodstock! (As Billy Joel Said, 'Rain, Mud, Sweat, B.O. And Acid. You Didn't Miss A Thing.') |
2 FLAC
|
|
| 33. |
12/31/69 |
Fillmore East (Early show) - New York,
NY |
A | Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) | Disc 1 (Early) |
FLAC
|
|
| 34. |
12/31/69 |
Fillmore East (Late Show) - New York,
NY |
A | Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) | Discs 2+3 (Late) |
FLAC
|
|
| 35. |
01/01/70 |
Fillmore East - New York,
NY |
A | Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) | Disc 4 (Early) |
FLAC
|
|
| 36. |
01/01/70 |
Fillmore East - New York,
NY |
A | Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) | Late Show (Disc 5+6) |
FLAC
|
|
| 37. |
03/??/70 |
Olympic Sound Studios - London,
England |
A | Studio Soundboard Acetate | w/Arthur Lee |
0 FLAC
|
|
| 38. |
04/25/70 |
The Forum - Inglewood,
CA |
A- | Three-Source Audience 'Not Just Another Rubber Dubber' | (Los Angeles Forum, Los Angeles, CA 25.04.70 [Complete; 1st & 3rd source merge with the 2nd source used to patch for missing audio]) 1st Source: Aud; DAT of Rubber Dubber Vinyl bootleg (ATM 050-051 "LA Forum '70 - The Original Rubber Dubber Bootleg") / 2nd Source: Aud; Master (ATM 048-049 "LA Forum '70") / 3rd Source: Aud; Master (JA 077 "Los Angeles Forum 25 April 1970 - 3rd Source"). |
0 FLAC
|
|
| 39. |
05/30/70 |
Berkeley Community Theater (Late) - Berkeley,
CA |
A | Audience Cassette | Liberated Bootleg Source: "Riots in Berkeley".
Trade CD >FLAC (Level 8) Via xACT 2.36 |
1 FLAC
|
|
| 40. |
05/30/70 |
Berkeley Community Theater (Early) - Berkeley,
CA |
A | Soundboard Reel | (84 min)
Complete and with 10 of the 13 tracks from
stereo multitrack mixes
assembled and generously shared by futurefolklore
seeded by Rob Berger July 2012
notes: the late show of this night has been
commercially released. The 10 upgraded songs from
the early show have been released on various
reissues and box sets. This effort of future's
is a collection of those multi track cuts with the
circulating mono board used as the patch source.
This is the complete early show in order and
complete with banter, tuning, and the three unreleased
songs.
Brilliant! The best you've ever heard this iconic set. |
2 FLAC
|
|
| 41. |
05/30/70 |
Berkeley Community Theater (Early) - Berkeley,
CA |
A | Soundboard Reel | (Early Set)
Disc 5 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 |
0 FLAC
|
|
| 42. |
07/17/70 |
Downing Stadium - Randall's Island,
NY |
A- | Soundboard | w/AUD Patches
(Missing 'Red House') |
1 FLAC
|
|
| 43. |
07/30/70 |
Haleakala Crater, Seabury Hall - Maui,
HI |
A | Soundboard | Two-Source Matrix |
2 FLAC
|
|
| 44. |
??/??/97 |
"On The Radio Tribute To Jimi Hendrix" - Compilation,
Compilation |
A | Pre-FM Broadcast; Westwood One "On the Radio, Tribute to Jimi Hendrix", Labor Day Special | Westwood One Radio Show (97-36)
Originally aired weekend of August 29 to September 1, 1997
Noel Redding
Chas Chandler
Kathy Etchingham
Paul McCartney
Eddie Kramer
CDDA broadcast discs > WAV Exact Audio Copy & Audacity > FLAC Trader's Little Helper
cue sheets included (missing cover page)
album tracks and commercials have been edited out |
0 FLAC
|
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