Etree - OldNeumanntapr - 442 shows
Last Update: Wednesday May 13, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (24) | EMAIL ]


DISCLAIMER:


NONE OF MY SHOWS IN THIS LIST WILL MATCH MD5 / SHINID FILES POSTED AT ETREE!


I tag all my files and often times change file names to reflect etree standards. When tags are added, altered, MD5 files will error. Consequently I Delete ALL MD5 files from traded FLAC.


IF HAVING NUMBERS MATCH IS MORE IMPORTANT THAN MUSIC FOR YOU, PLEASE DO NOT CONTACT ME FOR TRADES. Thank you.


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Nothing on this list is for sale!!!! These shows are available for trade ONLY!


                                                             


                                                                                                


I have Almost THREE Terabytes of FLAC that I've received through electronic trades / Hardrive swaps, that have not as of yet been added to the list!


 


Some shows I have on BOTH FLAC and CD. The # of FLAC listed equals the # of CDs. If a 0 is listed, then I ONLY have the FLAC copy. If WAV is listed, it was sent to me as a WAV file and has not yet been converted to FLAC.


I've been a live-Music taper since 1986, and currently use Neumann KM-140 microphones.      


After taping with DAT since 1994, I switched to a Tascam DR-100mkII flash recorder in mid 2013.


I am in the process of converting all my DATs and CDs to FLAC. All the DATs have been transferred but will not be updated on the list until I am ready to convert them to FLAC. Some still need to be split into tracks with Audacity.


(My masters are listed in the notes column on the far right side.)


If You Are Not Interested In Keeping Track Of Audience Recording Details Please Do Not Bother Contacting Me.


My interests are rather varied, as you will see.


 


CDRs from my DATs have been burned with an HHB CDR 800 pro standalone recorder, from 1998 to 2013.


I am no longer able to transfer DAT recordings, as all of my machines have problems, but all my DATs have been transferred. There are a lot that need to be tracked and FLAC'd.


 


Soundboard and Audience recordings are graded on different criteria.  


An A+ Audience Will Not Ever Match An A+ Soundboard; A Listing Of An A+ Rating Is Simply The Highest Grade In Its Respective Class.


Sound quality grading is subjective, (especially for older shows. For example, a recording from the 1970s will never match the sound quality possible with today's digital recording technology, and should be judged in accordance to the sound recording technology of the time.)


Sound Quality Ratings:


A+ Exceptional; usually reserved strictly for soundboards but I have also given this grade to some of my best FOB Digital Audience Masters, as well as other exceptional Front Of Board Audience recordings. A  Very Good. No flaws. (I don't consider minor polite applause Between songs on an audience recording to be a flaw.) A- Pretty good, but might have a few minor flaws; ie: less than ideal mic placement, some crowd noise on audience recordings, or other misc flaws, ie; slight hiss on soundboard recordings, or very slight distortion. B+ Good but not quite up to an A or A- rating. B More crowd noise, more distortion, or multi generation copies, etc. 


Not Currently Trading With Anyone Out Of My Circle. But, if you're looking for something specific, hit me up and I can send via Wetransfer.com


 

View List:
Jump To Artist:

Iain Matthews  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/06/15 Painted Sky Studios - Harmony, CA A Edirol R-09 w/Internal Microphones .WAV > iZotope RX3 Advanced v3.00.695 (declick) > Sound Forge Pro 10.0a (minor edits, normalize, & fades) >Audacity (Track Splits) >FLAC (Level 8) Via xACT 2.35 Recorded By Rick Williams iZotope Declick/Soundforge Post Production By Dennis Orr, Audacity Track Splits, FLAC By OldNeumanntapr 0 FLAC  

The Iguanas  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/14/99 Illinois State Fair - Springfield, IL A Soundboard   0 FLAC  

Iron Butterfly  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 01/24/71 Konserthuset - Gothenburg, Sweden A- Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.44 0 FLAC  

Isley Brothers  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/06/75 Newport Jazz Festival, Nassau Coliseum - New York, NY A Soundboard; 10" 2-Track Stereo Reel   0 FLAC  

It's A Beautiful Day  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/23/68 Fillmore Auditorium - San Francisco, CA A Soundboard Reel   0 FLAC  
2. 05/24/68 Fillmore Auditorium - San Francisco, CA A Soundboard Reel   0 FLAC  
3. 05/25/68 Fillmore Auditorium - San Francisco, CA A Soundboard Reel   0 FLAC  
4. 07/01/71 Fillmore West - San Francisco, CA A Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.36 (Set List Does NOT Match etree) 1 FLAC  
5. 03/20/99 The Catalyst - Santa Cruz, CA A+ Neumann AK-40's (x/y) >LC3 >KM-100's >Beyer MV-100 >SBM-1 >Sony TCD-D7 Master DAT Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.36 Recorded From 2nd Table, Right Side Balcony Recorded And Transferred By OldNeumanntapr 2 FLAC  
6. 08/18/01 Civic Center Lagoon - San Rafael, CA A- 2 Modified Neumann KM 254s >DAT (Either A Sony TCD-D8 Or A Tascam DA-P1) transfer: digital out > Sek'd Prodif Plus > Sound Forge > .wav files .wav files copied from Sandy's computer by RH to an external hard drive, then copied to one of Easy Ed's external hard drives > one of Easy Ed's PCs > Trader's Little Helper > flacs (level 8 align on sector boundaries), ffp and torrent files 0 FLAC  
7. 07/12/08 Oregon Country Fair - Veneta, OR A FM Broadcast >Audiocorder OS X >AIFF >Audacity >WAV >Switch >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  

Ivan Lins  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/10/99 Lobero Theatre - Santa Barbara, CA A Neumann AK-40's (x/y)->LC3->KM-100's->Beyer MV-100->Sony SBM-1->Sony TCD-D8 (Recorded By OldNeumanntapr) Digital Audience Master, 6th Row, Dead Center 1 DAT  

J.J. Cale  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/31/75 Cain's Ballroom - Tulsa, OK A FM Broadcast ************************************************************************ FLAC Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
2. 12/31/76 Unknown - Sausalito, CA B+ FM Broadcast ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
3. 11/02/83 The Old Town Bar & Grill - Eureka, CA A Soundboard; Master Cassette >CDR >EAC >SHN >WAV >FLAC ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
4. 10/22/86 The Roxy - Washington, DC A Beyer M201 Hyper Cardioids >Sony WM-D6C Early And Late Shows 0 FLAC  
5. 09/07/88 Guthrie Theatre - St. Paul, MN A Soundboard; Unknown >DAT >Cass 1 (XLII) Mastering Notes: A number of brief dropouts were seamlessly removed. The bass distorts a bit. Tape flip during "Hard Times" - the transition between the two parts of the song is seamless, which is why I think this was originally recorded to DAT. 0 FLAC  
6. 06/03/90 Ella Guru's - Knoxville, TN A Soundboard; Cassette Master >CDR >WAV >FLAC (Trade CDs >FLAC (Level 8) Via xACT 2.47) Last Seven Songs From Set I Are At End Of Disc II. 2 FLAC  
7. 07/04/93 Leland Meadows - Strawberry, CA A+ Digital Soundboard   2 FLAC  
8. 07/02/94 Town Park - Telluride, CO A- Soundboard ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
9. 10/07/94 Hammersmith Apollo - London, England A+ BBC FM Broadcast ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
10. 07/08/02 Higher Ground - Winooski, VT A Neumann KM184s (20' from the stage, DFC, hanging from the rafters) >Sony PCM R500 DAT Post : Sony PCM R500 > Sound Devices MixPre6 (1st gen) [@24/48] Every transfer was processed with Magix AudioLab Premium using: Level Correction, Stereo Enhancer (broaden stereo image) and Graphic EQ (Hi-Fi for music) as well as fade in/fade outs. Flac 24 bit/44.1kHz ************************************************************************ FLAC Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
11. 07/07/04 Gothic Theatre - Englewood, CO A+ Digital Soundboard; CDR Console Burner >CDR >FLAC >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
12. 03/28/09 McCabe's Guitar Shop - Santa Monica, CA A Schoeps MK-4v's >Active Cables >NBox+ >R-09HR @ (24Bit/44.1k) Special Guests: Tom Petty - Guitar And Vocals Mike Campbell - Guitar Skip Knape - Keyboards (On 'Cocaine') Recorded by 'Josephine' Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
13. 04/10/09 Capilano College Performing Arts Theater - Vancouver, BC A Church-Audio STC-11 stereo cardioid mics (in collar) > Church-Audio STC-9000 pre-amp > Edirol R-09 > .WAV @ 24 bit/48 kHz Mastering: .WAV's > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 (Build 65) [splicing, minor edits, normalize, & fades, cFX Limiter plugin (limit applause), Boz Digital Labs T-Bone (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper level 5) > FLAC > TagScanner 6.0.35 (tagging) Location: 7th row, 6 seats left of DFC Recorded and mastered by: Dennis Orr (project #102) 0 FLAC  
14. 04/13/09 Craterian Theater - Medford, OR A Sonic Studios DSM-6P's >Sony TCD-D7 (Recorded/Transferred By DAT CC) DAT Master Transferred Via Samplitude Red Roaster 2 FLAC  

Jackie Greene  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/25/14 Aptos Village Park - Aptos, CA A 26th Row Center: Schoeps MK-4's >NBox >Tascam DR-2D (24/48) (Recorded By Daspyknows) [Santa Cruz Blues Festival] Processed using Soundforge 11, resample, to 16bit 44.1K 1 WAV  

Jackshit  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/14/18 McCabe's Guitar Shop - Santa Monica, CA A SP-CMC8 (Audio Technica AT-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 (24bit/48khz) iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) Recorded & Processed By Flying M 0 FLAC  
2. 12/15/18 McCabe's Guitar Shop - Santa Monica, CA A SP-CMC8 (Audio Technica AT-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 (24bit/48khz) iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) Recorded & Processed By Flying -M- 0 FLAC  
3. 12/16/18 McCabe's Guitar Shop - Santa Monica, CA A SP-CMC8 (Audio Technica AT-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 (24bit/48khz) iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) Recorded & Processed By Flying -M- 0 FLAC  

Jaco Pastorius & Jorma Kaukonen  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/26/85 Lone Star Cafe - New York, NY A Soundboard; Cassette ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  

James Brown  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/24/98 Masonic Auditorium - San Francisco, CA A+ Neumann KM140s >EAA PSP/2 >Sony SBM-1 >Sony PCM-M1 (lineage: DAT master >S/PDIF >computer >Sek'd Red Roaster >CD Wav> TLH >flac16) ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ 0 FLAC  
2. 11/18/99 Maritime Hall - San Francisco, CA A Neumann KM140s >EAA PSP/2 >Sony SBM-1 >Sony PCM-M1 (lineage: DAT master >S/PDIF >computer >CD WAV >TLH >flac 16) ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ 0 FLAC  

James Taylor  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 01/25/71 Fillmore East - New York, NY A Soundboard Reel (Both Early & Late Sets) Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
2. 05/26/74 Carnegie Hall - New York, NY A+ FM Broadcast; KBFH Master Reels >DAT >CDR >EAC Sound Forge 6.0 >CD Wave > 1shn/1cdr Remastered by ALS, March 2003 Trade SHNs >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
3. 07/25/76 Syria Mosque - Pittsburgh, PA A FM Broadcast (w/David Lindley) Notes from the original taper: "This is an FM broadcast on Pittsburgh radio station WDVE. I taped it way back when and wore it out in my car's 8-track player. In the early 90's, my business advertised on the station; the sales rep asked if he could get me anything. I said "sure... have someone dig thru the vaults and find this show." He got me a nice cassette copy which I had converted to CD... did a few trades/trees over the years. Nice to see it make it here. I'm a big JT and Jackson Browne fan. Lindley joined JT's "usual" group of musicians for this tour in the summer of 76. His versatility adds so much to the song arrangements.The violin on Riding on a Railroad and banjo on Carolina In My Mind are two great examples. I love the lap guitar on Honey Don't Leave L.A.--Lindley and Sanborn's sax are incredible. This is the best live version of Fire and Rain I've heard as Lindley makes his lap guitar sound more like a pedal steel. After this tour, JT's musicians (Kunkle, Kootch and Sklar) joined Jackson Browne, Lindley and a couple of others for the tour which produced the Running On Empty LP. If you like this "era" of JT (in between In The Pocket and JT LPs), you'll love this show. Bruce" FLAC  
4. 05/03/81 Willshire Theater - Beverly Hills, CA A- AKG 451E's (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette Transfer: Mike Millard First Generation Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC ********************************************************************* FLAC Tags Via xACT 2.50 By Oldneumanntapr ********************************************************************* FLAC  
5. 09/23/89 Beacon Theatre - New York, NY A Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
6. 07/20/18 Piazza Napoleone - Lucca, Italy A Sony ECM 717 Stereo Cardioid >Zoom (Bonnie Raitt Opened) Transfer: .wav file > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (edit) > xACT 2.39 > FLAC 0 FLAC  

Janis Joplin http://www.officialjanis.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. ??/??/39 Blow All My Blues Away 1962-1970 - Compilation, Compilation A/B Various Sources; Soundboard, Studio Outtakes, Audience, & TV Broadcasts 9 Volume Compilation of Janis Joplin from 1962 to 1970 of Varying Quality. Various dates, 1962 through 1970 This set of archival recordings lets us witness the formation of arguably the most powerful and expressive voice in rock history. From the earliest known performances in the small bars of Texas to the first sessions with Big Brother to her mesmerizing live shows, Janis never left behind her raw roots. She drew upon them to impel emotional performances as if by exposing her pain she gained power over her past and transformed it into a gift. In these newly sourced pearls, we can hear as never before the birth and fast burning flame of Janis Joplin.  Included are outtakes and unreleased songs from the 1968 "Cheap Thrills" studio sessions, demos for the 1969 Kozmic Blues album and vast improvements on all existing vintage (1962-65) live recordings. The vintage recordings, in particular, are wonderful and although we had some of this material from the long out of print "Janis" movie soundtrack vinyl release, this collection has 39 (!) tracks recorded between 1962-65 including the ubiquitous "Typewriter Tapes" made by Jorma. The fourth CD unchains the urgent expression and lets it be heard in a complete Big Brother concert from 1967. ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
2. ??/??/67 Live Fast, Die Young - Various, CA A- Soundboard Reel; Bootleg CD w/Big Brother & The Holding Company (Various, San Francisco & Los Angeles) 0 FLAC  
3. 02/12/69 Fillmore East - New York, NY A Soundboard   0 FLAC  
4. 08/30/69 Dallas International Motor Speedway - Lewisville, TX A Stereo Soundboard Reel   0 FLAC  
5. 12/11/69 Boston Tea Party - Boston, MA B- 1st Gen AUD [Gardener Remaster] "One Hot Winter Night" Bootleg Some Distortion ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ 1st gen tape > cd-r > Bias Peak Pro 5 (song indexing) > XACT > flac > WAV > Soundforge 7 > FLAC NOTES : First of all, thank you to Mesquite for originally providing this gem to us. For this remastered edition, I first rectified the speed which was slightly too fast and corrected the balance between the channels. Then I restored the bass and high ends, cleaned some parasite noises in the middle freqs and boosted Janis vocals and the brass a little. The whole thing sounds a lot clearer now. VG+ at least, I'd say. ARTWORK INCLUDED Enjoy and blow all your blues away... FLAC  
6. 07/08/70 Honolulu International Centre Arena - Honolulu, HI B+ Soundboard; Lineage: LPs -> Sound Forge ->Click and Crackle Removal-> FLAC via TLH, level 6, Sectors aligned and verified, FLAC integrity checked. "Janis Joplin and the Full Tilt Boogie Band - Mega-rare restored first-edition vinyl "Get It While You Can", Honolulu International Center Arena, 1970 -07-08 RAW SOUNDBOARD FABULOUS RECORDING retracked and rejoined - Merry Christmas Dime! (Mp3 sample included) What you have in your hot little hands is the original edition of "Get It While You Can", which was pressed on yellow vinyl a very long time ago. I have the more recent reissue which runs a poor second on quality, and does nothing for listener. You have a great sounding Janis at top form to listen to, a rowdy audience, PLUS Mr. Asshole Announcer (who hasn't a clue of how to deal with them). It's simply great." FLAC  
7. 08/08/70 Capitol Theatre - Port Chester, NY B+ Audience ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
8. 08/12/70 Harvard Stadium - Cambridge, MA C+ Audience; Bootleg LP Janis's Final Live Performance. Rough But Listenable. 0 FLAC  

Jason Isbell & The 400 Unit  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/07/15 Moore Theatre - Seattle, WA A SP-CMC-8 > SP Battery Box > Roland R-05 (24 bit/48kHz) Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr FLAC  
2. 09/16/17 Fox Theater - Oakland, CA A Schoeps MK4s >Tiny Box >Sony PCM-M10 Recorded By Hodon 0 FLAC  

Jazz Is Dead  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/16/99 Harry O's - Park City, UT A Digital Soundboard; Tascam DA-P1 DAT Master Transferred: Sony DTC-59ES >S/PDIF >Sony CDRW33 Trade CDs >FLAC (Level 8) Via xACT 2.37 Recorded & Transferred By Jack Hunt 2 FLAC  
2. 09/05/15 Sausalito Art & Wine Festival - Sausalito, CA A Schoeps MK4s >NBox > Tascam DR-2D (24 bit/48khz) Recorded DEAD Center, 5th Row Of Seats About 25 Ft From Stage, By Daspyknows. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.37 0 FLAC  

Jeff Beck Group  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/06/76 Oakland Stadium - Oakland, CA B+ Unknown Audience Day On The Green 4 0 FLAC  
2. 07/23/76 Arrowhead Stadium - Kansas City, MO A- Unknown Audience ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr (+ front cover artwork) ********************************************************************** FLAC  
3. 09/08/80 Greek Theatre - Los Angeles, CA A- Sennheiser MKH 406 Cardioids >Sony TC-D5M transfer: Nakamichi CR7A (azimuth adjusted, 70usec bias and no Dolby) > Korg MR2000-s @ 1 bit, 5.6 MHz DSDIFF preparation: AudioGate (24-96) > iZotope RX4 advanced & Har-Bal 3.0 > Adobe Audition 3.0 (-0.13cents) > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) Speed correction was done with professor goody's advice. Many thanks to the pervessor for his help! Artwork for this project was created by ethiessen1 Many thanks for the professional artwork! You can hear my friend David greeting me as I get there just in the nick of time. I sort of remember sitting a bit to the right side and in the middle of the first section. Sounds like we are right in front of the PA. Jeff was on the other side of the stage and I was real concerned during the first song because you could barely hear him. It was the mix and by the second song his guitar is nice and loud. This tape has been in the hands of David Freshman all these years and he sent me these 2 masters recently. David, Mark and I were very close friends and we made a few recordings together. For this recording we borrowed Ron's new Sennheiser 406 microphones and they were brand new and very bass heavy. Made the masters very muddy sounding. Har-Bal toned down the low end by using the harmonic balancing principle and a little spectral reshaping. This recording came out incredible and coupled with a hot performance this is really nice to listen to 36 years later. Loud claps, screams, chatter and whistles were toned down or masked with a variety of methods using iZotope RX4 advanced. Handling noises and other odd clunks & ticks were also removed at that time. For historical reference only and not intended for resale or any commercial use. Enjoy -M- (December 2016) 0 FLAC  
4. 12/14/80 Green Dome - Sapporo, Japan A Soundboard; from Liberated Bootleg "Going Down Remastered"   FLAC  
5. 08/27/95 Riverport Amphitheater - Maryland Heights, MO A Digital Soundboard; from "Best Shot - Live In St. Louis 1995" Liberated Bootleg, Midas Touch label ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
6. 03/17/99 La Zona Rosa - Austin, TX A Schoeps CCM4 > Sonosax SX-M2 > Sony TCD-D100   0 FLAC  
7. 03/21/99 Oakdale Theater - Wallingford, CT A- Soundboard; Liberated Bootleg "Blow Your Mind", Hideaway Sounds label ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
8. 05/29/99 "Psycho West" - Zepp, Japan A- Unknown Digital Audience Lots Of Crowd Noise!! 0 FLAC  
9. 01/25/09 Thebarton Theatre - Adelaide, Australia A Core sound Binuarals >Core Sound Battery Box >Zoom H2 (Stealth Mode, Room Center About 8 Meters Back) Soundtrack Pro (multipressor and adjust applause levels) remixed using Adobe Audition 2013 Recorded, mixed and remixed by Godzgolfball 0 FLAC  
10. 02/07/09 International Forum - Tokyo, Japan A IEM + AUD DAT Matrix IEM = Jeff's Ear Monitor 0 FLAC  
11. 07/04/09 Royal Albert Hall - London, England A Sound Professionals Binaurals >Sony Hi-MD Walkman MZ-RH1 (Andy's Magic Glasses) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
12. 11/01/11 Uptown Theatre - Napa, CA A Schoeps MK4s >NBox >Tascam DR100 (24bit/48kHz) (Recorded, And Processed, By Daspyknows, Row E Seat 14) Processed Using Soundforge 10b, Resample To 16bit/44.1kHz TLH To Convert To FLAC Files Sent Privately By Daspy 0 FLAC  
13. 04/22/14 Melbourne Hamer Hall - Melbourne, Victoria, Australia A- SP-CMC-25 Cardioids >SP Battery Box >Sony PCM M10 (Recorded & Transferred By Godzgolfball) 16bit WAV > Mac Pro > Adobe Audition ( remove excess applause , adjust levels and minor EQ > XACT SBE ( LEVEL 8 ) Stealth mode . 0 FLAC  
14. 08/13/14 The Greek Theater - Los Angeles, CA A+ Schoeps MK4s > Actives > NBox >PCM-M10 (24bit/48.Hz) ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ Transfer: Goldwave (Volume Boost, Compression > Dither to 16bit) > Media Monkey (Flac Transfer L8) Location: Center Section "B" Recorded by Scooter123 FLAC  
15. 07/22/16 Grand Theater Foxwoods Casino - Mashantucket, CT A Neumann KM 140 Cardioids >AETA PSP2 >Sony PCM-M10 (24bit/48khz) LOCATION : 15th Row Floor, Center Transferred mix and mastered by Steve H / fzmoi69 from Sony PCM-M10 into Sound Forge Pro 10.0 0 FLAC  
16. 07/27/16 Wolf Trap Nat'l Park for the Performaing Arts - Vienna, VA A CA-11 >CA Ugly Battery Box >Tascam DR-05 >WAV >ProTools >xACT >FLAC Taped and transferred by opsopcopolis 0 FLAC  
17. 07/26/18 Moody Theatre - Austin, TX A Schoeps MK4s >Naiant Tinybox >Sony PCM-M10 Recorded By Seedy 0 FLAC  
18. 08/04/18 BB&T Pavilion - Camden, NJ A SP-CMC-8 Sound Professionals Deluxe Cardioids >SP-SPSB-1 Sound Professionals Mini Battery Module >Sony PCM-M10 (24bit/96khz) HD > Sony Sound Forge 24bit/96khz >16bit/44khz >CD Wave Editor Track Split > TLH ( FLAC 8 ) 0 FLAC  
19. 08/20/18 Wolf Trap - Vienna, VA A CA11 >CA Ugly Battery Box >Sony PCM-M10 Taped & Transfered By Opsopcopolis 0 FLAC  

Jeff Bridges  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/25/14 Arlington Theater - Santa Barbara, CA A+ Matrix: Schoeps MK-4's + Sennheiser 'G' Range IEMs (3 Feeds) >Sony PCM-M10 & Zoom H6 Tracks Time Alignment: Audition CC Mixed: Reaper File Split: Goldwave (Volume Boost > Dither to 16b) Flac Conversion: Media Monkey (Flac Transfer L8) Location: Left Center (Recorded by Scooter123) 1 FLAC  

Jeff Healey Band  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/06/93 Hammersmith Apollo - London, UK A+ Westwood One Digital Soundboard   0 FLAC  

Jefferson Airplane http://www.jeffersonairplane.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/06/65 Calliope Ballroom, 924 Howard Street (loft) - San Francisco, CA B+ Soundboard Reel (All That's Known To Circulate) Three Songs: 'It's No Secret', 'Tobacco Road', 'Running 'Round This World' 0 FLAC  
2. 09/30/66 Winterland Arena - San Francisco, CA A- Soundboard Reel Files Marked Early And Late Show, With The Set Break Falling Between 'It's No Secret' And 'Go To Her', Though Etree Shows This As One Long Set 0 FLAC  
3. 11/25/66 Fillmore Auditorium - San Francisco, CA A- Soundboard Reel All Transfers and Mastering By Charlie Miller 0 FLAC  
4. 11/26/66 Fillmore Auditorium - San Francisco, CA A Soundboard Reel All Transfers and Mastering By Charlie Miller 0 FLAC  
5. 11/27/66 Fillmore Auditorium - San Francisco, CA A Soundboard Reel All Transfers and Mastering By Charlie Miller (Missing 'Let's Get Together') 0 FLAC  
6. 01/08/67 Webster Hall - New York, NY A- Soundboard Reel (1st New York City Show) Setlist Doesn't Match Etree Exactly: 'Someboady To Love', My Best Friend', 'Go To Her', '3/5 Of A Mile In 10 Seconds'. Most People List This As A Poor-Sounding Audience. This Definitely Sounds Like A Soundboard, And The Files Come With A Cartoon Poster With The Band Onstage Marked Webster Hall, 1/8/67 0 FLAC  
7. 02/04/67 Fillmore Auditorium - San Francisco, CA A- Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.39 1 FLAC  
8. 03/04/67 Cafe au Go-Go - New York, NY B+ Soundboard; Reel Master >DAT (16bit/48khz)   0 FLAC  
9. 03/05/67 Cafe Au Go Go - New York, NY B+ Soundboard; Reel Master >Cassette >DAT (16bit/48khz) - It seems that they were having mic problems so they filled in with a couple of short instrumentals. Very reminiscent of what was later to become the sound of Hot Tuna. 0 FLAC  
10. 03/10/67 Winterland - San Francisco, CA A- Mono Soundboard >Reel >DAT >CDR >WAV >FLAC   1 FLAC  
11. 05/19/67 Men's Gym - Cal. Polytechnic State U. - San Luis Obispo, CA A Soundboard Reel ( Monaural 3 & 3/4 ips quarter-track ) >Liberated Boot CD >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.48 2 FLAC  
12. 06/17/67 Monterey County Fairgrounds - Monterey, CA A Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.39 1 FLAC  
13. 08/04/67 O'Keefe Center - Toronto, ON A Soundboard; Master Reel >Reel >DAT (3) >CDR >EAC >Cool Edit >CDWAV >SHN >CDR >FLAC Trade CDs >FLAC (Level 8) + Tags Via xACT 2.48 0 FLAC  
14. 12/31/67 Winterland Arena - San Francisco, CA B Soundboard / Audience Mix ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ Dick Cavet Show Filler FLAC  
15. 05/07/69 Polo Fields, Golden Gate Park - San Francisco, CA A- Soundboard ************************************************************************************************************************* FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Split Stereo Tracks, De-Amplify Right-Channel Drum Spikes On 'White Rabbit' By 3.5db, Combine Tracks To Stereo, Amplify By 2.7db, Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.53 (And Front-Cover Artwork) By OldNeumanntapr ************************************************************************************************************************* Disc One Of 'Flight Box' Box Set FLAC  
16. 09/06/69 Family Dog - San Francisco, CA A- Soundboard; Ampex C-90 Master Cassette (No Dolby) >DAT >CD >EAC >SHN ******************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************** (Filed On HD w/Grateful Dead) 0 FLAC  
17. 10/25/69 Winterland Ballroom - San Francisco, CA A+ Soundboard Reel [From Bear Owsley's Master Reels] Trade CDs >FLAC (Level 8) Via xACT 2.44 2 FLAC  
18. 04/15/70 Winterland Ballroom - San Francisco, CA A Soundboard; 1/2 Track Master Reel @ 7.5 ips >DAT (3) >CDR >FLAC Also Quicksilver Messenger Service And The Grateful Dead 0 FLAC  
19. 09/15/70 Fillmore West - San Francisco, CA A Soundboard; Master Reel >Cassette >DAT >CDR >FLAC Trade CD >FLAC (Level 8) Via xACT 2.28 1 FLAC  
20. 10/04/70 Winterland Ballroom - San Francisco, CA A- KSAN FM Broadcast; Trade CD-R >EAC (Secure) >WAV >FLAC Frontend 1.1 >FLAC (Level 8) ***************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ***************************************************************** Notes edited from Ahuka's Choice Volume 6: This is one of Jefferson Airplane's most visible live performances. On Sunday night, October 4, 1970, the Airplane played the first of two headlining evenings at Fillmore West, sharing the bill with The Grateful Dead, Quicksilver Messenger Service, The New Riders of the Purple Sage (with ex-Airplane drummer Spencer Dryden), and of course, Hot Tuna. The concert was simulcast on KSAN-FM in stereo, and also televised on public television station KQED, with a quadrophonic signal broadcast on KQED-FM. It was to be an historic evening. It had been an historic day. Janis Joplin had died the night before, in Hollywood, California, of a heroin overdose. Marty Balin, deep in mourning for her, wanted to cancel the Fillmore performance but was a minority vote. Taking the stage with a full beard that made him look even more melancholy, Balin sounded distinctly out of place throughout the show. He steers a resplendent "Have You Seen The Saucers" toward a quiet place, but is abruptly overruled by the band, who proceed to turn it into a lacerating Grace Slick rave-up that seems to be fighting the spectre of Death itself off the stage. It only follows with musicians of this caliber that the concert packs some incredibly hot moments -- bassist Jack Casady powerfully upping the ante in the homestretch of "Somebody to Love", and a rare live performance of drummer Joey Covington's "Bludgeon of the Bluecoats" (an outcry against police brutality that the band later recorded in the studio with Little Richard, and never released) that is played with such superhuman speed and dexterity by lead guitarist Jorma Kaukonen that Covington actually begs him to slow down -- but this is definitely music born under a bad sign. The poignancy of "Wooden Ships" seems to weigh on Balin particularly, and even the good-natured sexual braggadoccio of his white soul number "Emergency" rings hollow. As an extended, chugging "Volunteers" threatens to keep him onstage longer than he can bear, Balin interrupts the jam with "Look what's happenin' out in the streets," forcing the wind-up. As the song careens to its sloppy, aggravated end, Balin sings what would be his last line as an active member of Jefferson Airplane until 1989: "Gotta revolution -- oh yeah, and I need a new band!" Marty Balin would not sing again as an active member of Jefferson Airplane until their short-lived reunion album and tour of 1989. (He was coaxed onstage at the Airplane's final concert at Winterland in 1972 for an encore of "Baby You Wear Your Dresses Too Short.") The simulcast of the concert ensured that high quality tapes were in circulationg the very next day, and it was not long before bootleg albums surfaced. Both ALMOST STARSHIPSHAPE (Ze Anonym Plattenspieler #ZAP 7855) and TALES FROM THE MOTHERSHIP (Mammary Productions #MM6) were prevented by vinyl limitations from using the entire concert; STARSHIPSHAPE sacrificed "Up or Down", "The Old Man" and "Bludgeon of the Bluecoat", and MOTHERSHIP dropped "Crown of Creation," "Somebody to Love," "Bludgeon" and "Greasy Heart." The next night, Jefferson Airplane returned to Fillmore West without Balin. Joining them was a new member, electric jazz violinist Papa John Creach, recruited by drummer Covington. Black, bald, in his mid-fifties but comporting himself like a much older man, Creach was easy to mistake at first sight for the latest Airplane prank, but when he plugged in and sweetly sawed his way up the neck of his fiddle, it was impossible not to be astounded by his musicality and charmed by his stage presence. No tapes have surfaced over the years of the band's first show with Creach, nor from the two week tour of the Midwest that immediately followed. FLAC  
21. 09/22/72 Winterland Arena - San Francisco, CA A Soundboard (Discs II & III Of 'Flight Box' Box Set   FLAC  
22. 10/03/72 Winterland Arena - San Francisco, CA A Pre-FM Soundboard Reels (Jerry Moore's DATs (Last Original Jefferson Airplane Concert. Partial Show Recording. Lineage: Production Reels >DAT(S), Sony PCM R500 >Tascam HD-P2 >HD >CD Wave >FLAC Transferred & Seeded By Rob Berger 0 FLAC  
23. 08/22/89 Mann Music Center - Philadelphia, PA A- Nakamichi CM-100 CP2 Omni's >Sony TC-D5M >Maxell MX 90 >JVC TD-R462 >Audacity Master Audience: Peter Wroblewski 20 minute Hot Tuna set omitted. 0 FLAC  
24. 09/22/89 Greek Theatre - University of California - Berkeley, CA A FOB: Neumann KM-84i Cardioids >Panasonic SV-250 DAT >CD >WAV>FLAC Recorded By Daspyknows, Center Section On Steps. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr (Missing Hot Tuna Set) 0 FLAC  
25. 09/30/89 Polo Field - Golden Gate Park - San Francisco, CA B+ FOB; Aiwa CM-30 Stereo Cardioid >Sony WM-D6C (Recorded / Tranferred By OldNeumanntapr) XLIIS Cassette Master Transferred: Sony TC-D5M >Tascam DR-100mkII (16/44.1), WAV >Audacity (Track Splits / Minor Edits) >FLAC (Level 8) Via xACT 2.35 3 FLAC  

Jefferson Starship http://www.jeffersonstarship.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 03/13/93 Cselley Mühle - Oslip, Austria A Digital Soundboard   1 DAT  
2. 04/14/93 Fox Theatre - Boulder, CO A+ Digital Soundboard Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.37 2 FLAC  
3. 06/05/93 'Troubadours Of Folk', Drake Stadium, UCLA - Los Angeles, CA B+ FOB: Sony ECM-909 Stereo Cardioid >Sony WM-D3 Cassette Master XLII 100 Masters Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.37. FLAC Tags Via xACT 2.37 Recorded By Rick Williams Transferred, FLAC’d & Tagged By Jeff Bowen, aka OldNeumanntapr (XLII 100 Masters Were Borrowed For Transfer). 1 FLAC  
4. 10/12/93 Mississippi Nights - St. Louis, MO A Digital Soundboard; Pansaonic SV-3800 DAT Taper : Joe Grasso Editing : Joe D'amico ''AKA'' Joebeacon Soundboard > Panasonic Sv-3800 Dat Recorder Tascam Da-p1 > Korg Mr 1000 @ 1 Bit Dsd 5/6 MHz > Audio Gate > Cool Edit Pro > Traders Little Helper (2/2016 - Changed File Names To Reflect Etree Standards) 0 FLAC  
5. 07/26/94 The Bottom Line Club - Shepherds Bush, London, England A Digital Soundboard Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. CD Masters >FLAC (Level 8) Via xACT 2.44 By OldNeumanntapr 2 FLAC  
6. 12/10/94 The Black Pearl - Park City, UT A Digital Soundboard (Recorded By Jack Hunt), DAT I Transferred: Sony TCD-D8 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.25 80 min 1 FLAC  
7. 06/07/98 Pozo Saloon - Pozo, CA A Nakamichi CM-300's w/CP-1 Cardioids (on T-Bar)->Sony TCD-D7 (Recorded By OldNeumanntapr) FOB; Digital Audience Master DAT Master Transferred: Sony TCD-D8 >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.25 1 FLAC  
8. 02/13/00 Christopher Cohan Performing Arts Center - San Luis Obispo, CA A+ Digital Soundboard [Christopher Cohen Center, Cal Poly University (Recorded By Jefferson Starship Soundman] Trade CDs >FLAC (Level 8) Via xACT 2.44 2 FLAC  
9. 09/05/15 Sausalito Art & Wine Festival - Sausalito, CA A Schoeps MK4s >NBox > Tascam DR-2D (24 bit/48khz) Recorded DEAD Center, 5th Row Of Seats About 25 Ft From Stage, By Daspyknows. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.37 0 FLAC  

Jeffrey Gaines  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 03/26/92 Festhalle - Frankfurt, Germany A- Sony ECM 155's >Sony TCD-D3 DAT ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ (Filed With Tom Petty) FLAC  

Jemimah Puddleduck  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/08/03 Great American Music Hall - San Francisco, ca A+ Matrix; SBD + (Stage) Schoeps CMC6/MK4s >PreSonus Digimax >RME Hammerfall Digiface >Sharp MV10 >Samplitude v7.02 Professional   0 FLAC  

Jerry Jeff Walker  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/18/91 Doc Rickett's Lab - Monterey, CA A Digital Soundboard; PCM Beta >Beta 1 >CDR >FLAC Transfer: Sony SL-HF900 w/ Sony PCM601ESD (digital output)>Macintosh with DigiDesign AudioMedia III card>Pro Tools>AIFF. [Trade CDS >FLAC (Level 8) Via xACT 2.37] 2 FLAC  
2. 08/20/93 Great American Music Hall - San Francisco, CA A Digital Soundboard Processing: DAT >Tascam DA45-HR >Adobe Audition >CDWAV >TLH FLAC (Level 8) These Are 16bit/48kHz FLAC Files 0 FLAC  
3. 08/21/93 Great American Music Hall - San Francisco, CA A Digital Soundboard Processing: DAT Master > Tascam DA45-HR > SD USBPRE2 > Adobe Audition > CDWAV > TLH FLAC 8 These are 16bit/48kHz FLAC Files 0 FLAC  
4. 02/22/95 Texas Jack's - Vacaville, CA A Digital Soundboard Processing: DAT Master Tascam DA45-HR >Waveterminal >Adobe Audition >CDWAV >TLH FLAC (Level 8) These Are 16bit/48kHz FLAC Files 0 FLAC  
5. 02/24/95 Great American Music Hall - San Francisco, CA A Digital Soundboard (16bit/48khz) (Early & Late Sets) Processing: DAT Master > Tascam DA302 > JB3 > Cool Edit 2000 > CDWAV > TLH FLAC 6 These are 16bit/48kHz FLAC Files 0 FLAC  

Jerry Joseph & Steve Kimock  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/30/06 Tulsa E. Scott Building - Quincy, CA A FM Broadcast   0 FLAC  

Jerry Lee Lewis  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 03/01/86 Palomino Club - North Hollywood, CA A+ Pre-FM Master Reel (15 ips) (1/4" Reel >Baked Reels >DAT) Sony 7040 DAT machine ( 16b 48hz AES) >HOSA Converter (S/PDIF) >Tascam DR-680 (16b) [FLAC >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.44 By OldNeumanntapr] 0 FLAC  

Jesse Colin Young  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/06/83 Fremont Theater - San Luis Obispo, CA A- FOB: Audio Technica AT-801 Omnis >Sony TC-D5 Cassette Master >CDR Via: Nakamichi CR-3A >Luxman EQ G111 >M-Audio 2496 >CoolEdit >CdrCue >Cdrwin Trade CD >Extracted To One-Track WAV Via Via xACT 2.37 > Sound Forge Pro 10.0a [Sony Clipped Peak Restoration (-3 dB With Post Limiter, Minor Edits & Normalize) >iZotope RX3 Advanced v3.00.695 (Declick) >Audacity (Track Splits) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded & Transferred By Lee Soundforge Post Processing By Dennis Orr Audacity, FLAC & Tags By OldNeumanntapr 1 FLAC  
2. 09/03/18 Sausalito Art Festival - Sausalito, CA A Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) (Recorded, And Processed, By Daspyknows Approx. 30ft From Stage) Processed Using Soundforge 11, Down Sample To (16bit/44.1khz) WAV Files Sent Privately By Daspy WAV >FLAC (Level 8) Via xACT 2.47 0 FLAC  

Jim Croce  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/15/71 Agora Ballroom - Cleveland, OH A- Soundboard Preceded By 11-15-72 Agora Ballroom, Cleveland, OH On Same Disc 1 FLAC  
2. 10/01/72 Mill Run Theater - Chicago, IL B+ Audience; Cassette Master >Nakamichi DR-1 (w/Manual Azimuth Adjustment) >Creative Soundblaster X FI HD Model #SB1240 WAV (24bit/96kHz) Audacity (Track Indexes, Volume Adjustment, & Edits) >WAV (16bit/44.1kHz) TLH >FLAC (Level 8) (Very Minor Distortion) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
3. 11/15/72 Agora Ballroom - Cleveland, OH A- Soundboard; Bootleg LP >CDR >FLAC (Some LP Surface Noise) Trade CD >FLAC (Level 8) Via xACT 2.47 1 FLAC  
4. 01/19/73 Glassboro State College - Glassboro, NJ A+ Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.28 1 FLAC  
5. 02/02/73 Harper College - Palatine, IL A- Soundboard; Bootleg LP? >CDR >FLAC Some hiss and a few LP crackles, but clear sound. 1 FLAC  
6. 07/27/73 The Old Grey Whistle Test, BBC Television Theatre - London, England A BBC TV Broadcast ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
7. 07/29/73 The Lido Club - Amsterdam, Holland A Soundboard w/Filler From ABC TV Broadcast 9/73 1 FLAC  
8. 08/25/73 The Philadelphia Folk Festival - Upper Salford Township, PA A Soundboard; Master Reel >DAT >CDR >FLAC Reel Flip Between 'The Ball Of Kerrymuir' & 'Bad Bad Leroy Brown.' Some Music Lost. Trade CD >FLAC (Level 8) Via xACT 2.28 1 FLAC  
9. 09/20/73 Prather Coliseum NW St. Univ - Natchitoches, LA B 3rd Row, Hand-Held Cassette Recorder, 2nd Gen. Jim's Last Show 1 FLAC  

Jim Messina  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/20/92 Flag Is Up Farms - Solvang, CA B+ Front Row, Right; Nakamichi CM-300 CP-1 Cardioids >Sony WM-D6C XLIIS Cass Master (No NR) >CDR >FLAC (Recorded, Transferred, FLAC’d & Tagged By OldNeumanntapr) Microphones Kept Low To Avoid Detection. XLIIS Cassette Master Transferred: Sony TC-D5M >EQ>HHb CDR 800 PRO CD Master Extracted With xACT 2.37 >WAV >FLAC (Level 8) Also, Performances By Jackson Browne And Bonnie Raitt 1 FLAC  

Jimi Hendrix http://www.jimihendrix.com/us/home
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/13/67 BBC Radio Studios - Broadcasting House - London, England A Studio Soundboard Reel The Complete BBC Radio Sessions 1967 ...and more! [A Prof. Stoned Comp 2020] Recorded: BBC Broadcasting House, London, UK; Monday 13 February 1967 Broadcast: BBC Radio 'Saturday Club'; 18 February 1967 Host: Brian Matthew Producer: Bill Bebb ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ Note: The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs. So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape. I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required. [* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.] Audio Sources Supplied & Research by JWB More research & Mastering: PS v1.0: 06-07-2020 v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0) ---------------------------------------------------------------------------------------------------- Sources: - Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following: - BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16 - BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28 - BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33 - 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00 - various BBC Transcriptions (used to fill out intro's/outro's) ---------------------------------------------------------------------------------------------------- ***Bonus Material*** ---------------------------------------------------------------------------------------------------- 34. Manic Depression 1967-04-17 'Late Night Line Up'- BBC TV, London, UK 35. 'Intro by Simon Dee with false start' 36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track] 1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release. ---------------------------------------------------------------------------------------------------- 37. 'Introduction #1' 38. Foxy Lady 39. 'Introduction #2' 40. Catfish Blues 41. Purple Haze 1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands Producer: Wim van der Linden Engineer: Adrie Ottenvanger Host: Roselie Peters A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived. ---------------------------------------------------------------------------------------------------- FLAC  
2. 03/18/67 Studio 1 - NDR Funkhaus - Hamburg, West Germany A- Broadcast Mixdown Reel >Cassette >WAV >FLAC Less Than 30 Minutes. 0 FLAC  
3. 03/28/67 BBC Radio Studios - Broadcasting House - London, England A Studio Soundboard Reel The Complete BBC Radio Sessions 1967 ...and more! [A Prof. Stoned Comp 2020] Recorded: BBC Broadcasting House, London, UK; Tuesday 28 March 1967 Broadcast: BBC Radio 'Top Gear'; 1 April 1967 Host: Brian Matthew Producer: Bill Bebb ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ Note: The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs. So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape. I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required. [* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.] Audio Sources Supplied & Research by JWB More research & Mastering: PS v1.0: 06-07-2020 v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0) ---------------------------------------------------------------------------------------------------- Sources: - Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following: - BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16 - BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28 - BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33 - 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00 - various BBC Transcriptions (used to fill out intro's/outro's) ---------------------------------------------------------------------------------------------------- ***Bonus Material*** ---------------------------------------------------------------------------------------------------- 34. Manic Depression 1967-04-17 'Late Night Line Up'- BBC TV, London, UK 35. 'Intro by Simon Dee with false start' 36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track] 1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release. ---------------------------------------------------------------------------------------------------- 37. 'Introduction #1' 38. Foxy Lady 39. 'Introduction #2' 40. Catfish Blues 41. Purple Haze 1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands Producer: Wim van der Linden Engineer: Adrie Ottenvanger Host: Roselie Peters A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived. ---------------------------------------------------------------------------------------------------- FLAC  
4. 10/06/67 BBC Studios - The Playhouse Theatre - London, England A Studio Soundboard Reel The Complete BBC Radio Sessions 1967 ...and more! [A Prof. Stoned Comp 2020] features Jimi, Noel & Stevie Wonder on drums (and faint vocals). The first take of Driving South is slightly edited. The complete version only exists as a poor off-air recording. Recorded: BBC Playhouse Theatre, London, UK; Friday 6 October 1967 Broadcast: BBC Radio 'Top Gear'; 15 October 1967 Producer: Bernie Andrews Engineer: Pete Ritzema ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ Note: The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs. So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape. I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required. [* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.] Audio Sources Supplied & Research by JWB More research & Mastering: PS v1.0: 06-07-2020 v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0) ---------------------------------------------------------------------------------------------------- Sources: - Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following: - BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16 - BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28 - BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33 - 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00 - various BBC Transcriptions (used to fill out intro's/outro's) ---------------------------------------------------------------------------------------------------- ***Bonus Material*** ---------------------------------------------------------------------------------------------------- 34. Manic Depression 1967-04-17 'Late Night Line Up'- BBC TV, London, UK 35. 'Intro by Simon Dee with false start' 36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track] 1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release. ---------------------------------------------------------------------------------------------------- 37. 'Introduction #1' 38. Foxy Lady 39. 'Introduction #2' 40. Catfish Blues 41. Purple Haze 1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands Producer: Wim van der Linden Engineer: Adrie Ottenvanger Host: Roselie Peters A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived. ---------------------------------------------------------------------------------------------------- FLAC  
5. 10/17/67 BBC Studios - The Playhouse Theatre - London, England A Studio Soundboard Reel The Complete BBC Radio Sessions 1967 ...and more! [A Prof. Stoned Comp 2020] Recorded: BBC Aeolian Hall, Studio 2, London, UK; Tuesday 17 October 1967 Broadcast: BBC World Service 'Rhythm And Blues'; 13 November 1967 Host: Alexis Korner Producer: Jeff Griffin ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ Note: The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs. So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape. I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required. [* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.] Audio Sources Supplied & Research by JWB More research & Mastering: PS v1.0: 06-07-2020 v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0) ---------------------------------------------------------------------------------------------------- Sources: - Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following: - BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16 - BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28 - BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33 - 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00 - various BBC Transcriptions (used to fill out intro's/outro's) ---------------------------------------------------------------------------------------------------- ***Bonus Material*** ---------------------------------------------------------------------------------------------------- 34. Manic Depression 1967-04-17 'Late Night Line Up'- BBC TV, London, UK 35. 'Intro by Simon Dee with false start' 36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track] 1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release. ---------------------------------------------------------------------------------------------------- 37. 'Introduction #1' 38. Foxy Lady 39. 'Introduction #2' 40. Catfish Blues 41. Purple Haze 1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands Producer: Wim van der Linden Engineer: Adrie Ottenvanger Host: Roselie Peters A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived. ---------------------------------------------------------------------------------------------------- FLAC  
6. 12/15/67 BBC Studios - The Playhouse Theatre - London, England A Studio Soundboard Reel The Complete BBC Radio Sessions 1967 ...and more! [A Prof. Stoned Comp 2020] Recorded: BBC Playhouse Theatre, London, UK; Friday 15 December 1967 Broadcast: BBC Radio 'Top Gear'; 24 December 1967 Producer: Bernie Andrews Engineer: Pete Ritzema ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ Note: The BBC have licensed their Hendrix recordings for two official releases: "Radio One" (1988) & "BBC Sessions" (1998). In both instances, 2nd generation tapes were mistakenly sent and used, probably because the BBC has them on file as the master recordings. These tape dubs were made back in the day and were subjected to heavy processing which included EQ, compression, stereo re-channeling and sometimes reverb. As a result, they have obvious lesser fidelity. However, the original mono tapes of nearly all sessions (or at least quality copies thereof) still exist and were used for two early 90s BBC radio specials. The producer of these shows, Richard Skinner, has been the only one so far who cared enough to dig a little deeper in the vaults and he played nearly all material in uninterrupted form on his shows, which has allowed fans to hear the real deal on two rare Westwood 2CDs. So thanks to Mr. Skinner, this compilation rectifies the tape source problem for the most part and also restores the sessions in nearly uncut form. Plus, you get to hear the complete Stevie Wonder jam and a 6-minute interview. Nearly all tracks here are sourced from a digital clone or a transcription disc that was derived from the 1st generation mono mastertapes*. The only sources I'd say are sonically compromised would be Tr. 26 & 33 which come from the processed 2nd generation tapes (the latter with additional reverb), the January 1967 session which was not archived by the BBC (it survives only as a partial but not completely awful off-air recording) and the March 1967 session which has only survived as a 2nd generation compressed/EQ'd tape. I have carefully remastered every track in my mastering studio. Considering these are direct-to-mono recordings, it's no surprise the instrumental and tonal balances are often uneven and some work to make them shine is definitely required. [* The whereabouts of Tr. 10 & 27 are actually unknown, but they seem to be copies of the unprocessed 1st generation tapes. Tr. 27 does not have the EQ/compression/reverb that can be heard on the 2nd generation source and Tr. 10 actually sounds slightly better than a verified 1st generation source on the 1991 Westwood 2CD, which has slightly lesser quality overall than the 1992 WW set.] Audio Sources Supplied & Research by JWB More research & Mastering: PS v1.0: 06-07-2020 v1.1: 15-07-2021 (Tr. 01-10 newly remastered, everything else is the same as v1.0) ---------------------------------------------------------------------------------------------------- Sources: - Hendrix At "The Beeb" (2◊CD, Comp, Transcription) Westwood One Radio Network ñ Show# 92-48 USA 1992 > all tracks minus the following: - BBC Classic Tracks (2◊CD, Comp, Transcription) Westwood One, USA 1991 > 06,16 - BBC Radio (2xCDR, Comp) For Trade Only FTO 008-009 2004 > Tr. 10,11,27,28 - BBC DAT Masters (2xCDR) no label - 2007 > Tr. 25,26,33 - 'off-air radio recording on reel to reel found at car boot sale' > Tr. 00 - various BBC Transcriptions (used to fill out intro's/outro's) ---------------------------------------------------------------------------------------------------- ***Bonus Material*** ---------------------------------------------------------------------------------------------------- 34. Manic Depression 1967-04-17 'Late Night Line Up'- BBC TV, London, UK 35. 'Intro by Simon Dee with false start' 36. Burning Of The Midnight Lamp [live vocal over pre-recorded backing track] 1967-08-24 'Top of the Pops' BBC TV, Lime Grove Studios, London, UK Taken from the EH 2010 "BBC Sessions". Tr. 34 is from 2nd generation tape, while Tr. 35/36 appears to be an off-air recording. I only remastered the latter from this section because it sounds particularly harsh and distorted on the official release. ---------------------------------------------------------------------------------------------------- 37. 'Introduction #1' 38. Foxy Lady 39. 'Introduction #2' 40. Catfish Blues 41. Purple Haze 1967-11-10, 'Hoepla' (TV Show), Vitus Studio, Bussum, Netherlands Producer: Wim van der Linden Engineer: Adrie Ottenvanger Host: Roselie Peters A clean mono soundboard recording that is somewhat overlooked. Tr. 38+40 have been sourced from the 1992 Univibes Fanclub release "Calling Long Distance", which despite its bootleggy content was sanctioned by Alan Douglas. All the rest comes from the bootleg "Live In Europe '66-'70" (2010, CD). Everything has been restored and remastered for optimal coherence. Catfish Blues has also been officially released on the 1994 album 'Blues' but appears in better quality here. Three takes of Purple Haze were attempted. This version is made up from the freak-out intro of take 1 (after which it breaks down) and the majority of take 3 but with a 30 fragment from take 2 which is absent on the former. Take 2 was broadcast at the time, while take 3 was intended for a future broadcast that never happened. Sadly, the film footage was wiped and no copy of it has survived. ---------------------------------------------------------------------------------------------------- FLAC  
7. 01/29/68 L'Olympia (late show) - Paris, France A Soundboard Reel Disc 2 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 0 FLAC  
8. 02/04/68 Fillmore Auditorium - San Francisco, CA A Soundboard Trade FLACs >WAV >Audacity (Combine Tracks To A One-Track File, Amplify Low-Level Tracks To Match 'Catfish Blues', Which Had Strong Levels, Remove And Repair Minor Gaps Between Tracks, Remove And Repair Tape Flip Pause In 'Dear Mr. Fantasy', Remove And Repair Several Small Static Blips, Re-Track Along Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 0 FLAC  
9. 03/15/68 Atwood Hall, Clark University - Worcester, MA A- Soundboard Reel Some Vocals Sound 'Fuzzy' 0 FLAC  
10. 03/17/68 Cafe A Go-Go - New York, NY A Soundboard Reel Disc 3 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 0 FLAC  
11. 03/19/68 Capitol Theatre (late show) - Ottawa, ON B+ Soundboard; Cassette Master >1st Gen > ? > CDR (Ottawa 1968 - For Trade Only FTO 010) > EAC > WAV > FLAC   0 FLAC  
12. 04/15/68 Generation Club - New York, NY A Soundboard Reel One Track Only, 'Blues Jam'. Included As Filler On Disc 3 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 0 FLAC  
13. 04/15/68 Generation Club - New York, NY A Soundboard *********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************** FLAC  
14. 05/10/68 Fillmore East - New York, NY A- Audience Reel 'THANK YOU, AND I JUST BLEW ANOTHER AMP!' 1st Gen - Digitally restored, Phase & Speed corrected 0 FLAC  
15. 05/10/68 Fillmore East - New York, NY A- 'One Night Stand' Bootleg CD ******************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************* FLAC  
16. 05/18/68 Gulfstream Park - Hallandale, FL A+ Soundboard Reel Others Acts On The Bill: MOTHERS OF INVENTION, JOHN LEE HOOKER, BLUE CHEER, CRAZY WORLD OF ARTHUR BROWN 0 FLAC  
17. 10/10/68 Winterland Ballroom - San Francisco, CA A- Soundboard Reel [Early & Late (Some Digital Tracking Noise In Places)] Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
18. 10/11/68 Winterland Arena - San Francisco, CA A Soundboard Reel; 'The Winterland Reels' (Early) Tracks 5-7 Are Audience ******************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************* FLAC  
19. 10/11/68 Winterland Arena - San Francisco, CA A Soundboard Reel; 'The Winterland Reels' (Late) ********************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************** FLAC  
20. 10/12/68 Winterland Arena (early show) - San Francisco, CA A Soundboard Reel; The 'Winterland Reels' (Early) ******************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************* FLAC  
21. 10/12/68 Winterland Arena (late show) - San Francisco, CA A Soundboard Reel; The 'Winterland Reels' (Late) ******************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************* FLAC  
22. 01/09/69 Konserthuset - Stockholm, Sweden A Soundboard Reel (Late Show), Trade CD >FLAC (Level 8) Via xACT 2.36 1 FLAC  
23. 01/10/69 Falkoner Centret - Copenhagen, Denmark A Soundboard Reel Disc 4 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 Also Includes: Catfish Blues (09:26) 1968-01-07 Tivolis Konsertsal, Copenhagen, Denmark Tax Free (11:51) 1969-01-10 Early, Falkoner Centret, Copenhagen, Denmark Freedom - Jimi (04:04) 1970-09-03 K. B. Hallen, Copenhagen, Denmark 0 FLAC  
24. 01/17/69 Jahrhunderthalle - Frankfurt, Germany B+ Audience Reel Vocals Muffled But Guitar Is Clear 0 FLAC  
25. 02/18/69 Royal Albert Hall - London, UK B+ Soundboard Levels A Little Low, Vocals A Little Muddy. Listed As Soundboard But Could Be Audience. 0 FLAC  
26. 02/24/69 Royal Albert Hall - London, England A Soundboard Reel Disc II Fill: 3/18/67 Hamburg, Germany; Broadcast Mixdown Reel >Cassette >WAV >FLAC 2 FLAC  
27. 04/26/69 The Forum - Inglewood, CA A Soundboard Reel 'I Don't Live Today' Bootleg CD 1 FLAC  
28. 04/26/69 The Forum - Inglewood, CA A Soundboard Reel Disc 1 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 0 FLAC  
29. 05/24/69 San Diego Sports Arena - San Diego, CA A Soundboard Reel Trade CD >FLAC (Level 8) Via xACT 2.44 1 FLAC  
30. 06/20/69 Newport 1969 Pop Festival - Northridge, CA A Soundboard Recording From Rolls 5 and 6 60Min 2 Track Ampex-No Dolby Trade CD >FLAC (Level 8) Via xACT 2.47 1 FLAC  
31. 06/22/69 San Fernando Valley State College - Devonshire Downs, CA A Stereo Soundboard Recording From Rolls 14, 15, and 16 100Min 2 Track Ampex-No Dolby; Recorded From The Mobile Recording Track Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
32. 08/18/69 Woodstock Festival - Bethel, NY A Soundboard; Reel >PCM >CDR >FLAC Woodstock! (As Billy Joel Said, 'Rain, Mud, Sweat, B.O. And Acid. You Didn't Miss A Thing.') 2 FLAC  
33. 12/31/69 Fillmore East (Early show) - New York, NY A Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) Disc 1 (Early) FLAC  
34. 12/31/69 Fillmore East (Late Show) - New York, NY A Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) Discs 2+3 (Late) FLAC  
35. 01/01/70 Fillmore East - New York, NY A Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) Disc 4 (Early) FLAC  
36. 01/01/70 Fillmore East - New York, NY A Soundboard; '2 Nights At The Fillmore East' (Voodoo Chile Records ñ VC9001) Late Show (Disc 5+6) FLAC  
37. 03/??/70 Olympic Sound Studios - London, England A Studio Soundboard Acetate w/Arthur Lee 0 FLAC  
38. 04/25/70 The Forum - Inglewood, CA A- Three-Source Audience 'Not Just Another Rubber Dubber' (Los Angeles Forum, Los Angeles, CA 25.04.70 [Complete; 1st & 3rd source merge with the 2nd source used to patch for missing audio]) 1st Source: Aud; DAT of Rubber Dubber Vinyl bootleg (ATM 050-051 "LA Forum '70 - The Original Rubber Dubber Bootleg") / 2nd Source: Aud; Master (ATM 048-049 "LA Forum '70") / 3rd Source: Aud; Master (JA 077 "Los Angeles Forum 25 April 1970 - 3rd Source"). 0 FLAC  
39. 05/30/70 Berkeley Community Theater (Late) - Berkeley, CA A Audience Cassette Liberated Bootleg Source: "Riots in Berkeley". Trade CD >FLAC (Level 8) Via xACT 2.36 1 FLAC  
40. 05/30/70 Berkeley Community Theater (Early) - Berkeley, CA A Soundboard Reel (84 min) Complete and with 10 of the 13 tracks from stereo multitrack mixes assembled and generously shared by futurefolklore seeded by Rob Berger July 2012 notes: the late show of this night has been commercially released. The 10 upgraded songs from the early show have been released on various reissues and box sets. This effort of future's is a collection of those multi track cuts with the circulating mono board used as the patch source. This is the complete early show in order and complete with banter, tuning, and the three unreleased songs. Brilliant! The best you've ever heard this iconic set. 2 FLAC  
41. 05/30/70 Berkeley Community Theater (Early) - Berkeley, CA A Soundboard Reel (Early Set) Disc 5 of 5 CD Box Set 'Hendrix Live And Unleashed" 2007 Limited Edition, Unofficial Release (#1723 of 2000), Rock Of Ages ROABOX101 0 FLAC  
42. 07/17/70 Downing Stadium - Randall's Island, NY A- Soundboard w/AUD Patches (Missing 'Red House') 1 FLAC  
43. 07/30/70 Haleakala Crater, Seabury Hall - Maui, HI A Soundboard Two-Source Matrix 2 FLAC  
44. ??/??/97 "On The Radio Tribute To Jimi Hendrix" - Compilation, Compilation A Pre-FM Broadcast; Westwood One "On the Radio, Tribute to Jimi Hendrix", Labor Day Special Westwood One Radio Show (97-36) Originally aired weekend of August 29 to September 1, 1997 Noel Redding Chas Chandler Kathy Etchingham Paul McCartney Eddie Kramer CDDA broadcast discs > WAV Exact Audio Copy & Audacity > FLAC Trader's Little Helper cue sheets included (missing cover page) album tracks and commercials have been edited out 0 FLAC  

Jimmie Dale Gilmore  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/06/93 'Troubadours Of Folk', Drake Stadium, UCLA - Los Angeles, CA A FOB: Sony ECM 909->Sony WM-D3 Audience Master->CDR->FLAC XLII 100 Masters Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o CD Masters >FLAC (Level 8) Via xACT 2.25 Recorded By Rick Williams Transferred By OldNeumanntapr (XLII 100 Masters Were Borrowed For Transfer) 1 FLAC  

Jimmie Dale Gilmore & Butch Hancock  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/19/87 Sons Of Herman Hall - Dallas, TX A Soundboard   2 FLAC  

Jimmy Buffett http://www.margaritaville.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/10/82 Kings Dominion - Doswell, VA A- Nakamichi CM100/CP4s >Sony D5 Cassette Master (Taped by Larry Saunders) Transfer: 1st gen cassette played back on Nak 550 >DA 3000 (16/44.1) Transfer by Dave Cohen Additional lineage: edited and tracked with Audacity, flac level 8, checksums with TLH Added lineage, info file by John Wenzel Sept. 15, 2023 ************************************************************************ FLAC Tags Amended Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  

Jimmy Cliff  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/24/91 Gold Coast Concert Bowl, Squaw Valley - Lake Tahoe, CA A FOB: Audio Technica AT-853a Cardioids->Panasonic SV-255 DAT Master->VHS 1->CDR->FLAC (Opened For Jerry Garcia Band) VHS Transfer: Mitsubishi HS-U59 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.28 (Recorded By John Lech) (VHS I >FLAC Transferred By OldNeumanntapr) Minor Crowd Noise, Minor Wind 1 FLAC  
2. 08/02/92 French's Camp, Eel River - Piercy, CA A Digital Soundboard (WAV >FLAC (Level 8) Via xACT 2.48 By OldNeumanntapr) WAV Files Sent Privately By Daspy 0 FLAC  
3. 09/07/15 Sausalito Art & Wine Festival - Sausalito, CA A Schoeps MK4s >NBox Platinum >Tascam DR-2D Recorded By DaspyKnows, DEAD Center 4th Row Of Seats (About 25ft Back From Stage. Processed Using Soundforge 11, Resample, To 16bit 44.1K. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.37 0 FLAC  

Jimmy LaFave  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/16/15 LantarenVenster - Rotterdam, Netherlands A DPA 4061s >MPS 6020 >Sony PCM-M10 (24 bit / 48k) Recorded and dithered to 16bit/44.1kHz by scdegraaf Edited with SoundForge 9.0 and Audacity. FLACs Sent Privately By scdegraaf 0 FLAC  

Jimmy Webb  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/21/15 Ridgefield Playhouse - Ridgefield, CT A SP CMC 8 Cardioid (Mics In Hat) >SP SB 8 battery >Olympus LS 10 Recorded And Transferred By Scott Norman Trade FLACs >WAV Via xACT 2.37 >Audacity (Combine Tracks, Normalize, Amplify, Track Splits) >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr 0 FLAC  

JJ Grey & Mofro  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/23/15 Aptos Village Park - Aptos, CA A FOB: Schoeps MK4s >NBox >Tascam DR-2D (24/48) Recorded 12th Row, Dead Center, Circle Of Gold Seats By Daspyknows. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr 0 FLAC  
2. 05/24/15 Avila Beach Resort - Avila Beach, CA A Neumann AK-40s (ORTF In Hat) >LC3 >KM-100s >Beyer MV-100 >Tascam DR-100mkII (24/48) 7th Row, Slightly Right Of Center. WAV >iZotope RX3 Advanced v3.00.695 (Declick) >Audacity (Track Splits, Minor Edits, Amplify, Down Sample / Dither To 16 Bit /44.1k) >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35 Recorded, Transferred, FLAC’d & Tagged By Oldneumanntapr. iZotope RX3 Advanced v3.00.695 (Declick) By Dennis Orr. 0 FLAC  

Joan Jett & the Blackhearts  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/06/14 Marin County Fair - San Rafael, CA A Schoeps MK-4's >NBox >Tascam DR-2D (Recorded By Daspyknows), Center, About 12 Rows Back From Stage. Processed using Soundforge 11, resample, to 16bit 44.1K Sent Privately As WAV Files. WAV >FLAC Via xACT 2.28 1 FLAC  
2. 07/06/19 Marin County Fair - San Rafael, CA A 12th Row Dead Center: Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48hz) Recorded, & Processed, by Daspyknows. Processed Using Soundforge 11, Resample To 16bit/44.1khz WAV >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr WAV Files Sent Privately By Daspy 0 FLAC  

Joan Osborne  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/29/02 The Catalyst - Santa Cruz, CA A+ Digital Soundboard - Transfer - Panasonic SV-3700 (S/PDIF coax output) ► Digidesign Audiomedia III PCI soundcard in unknown Apple Macintosh computer ► Digidesign ProTools v.? ► Roxio Toast Titanium v.? ► 2xCDR ► CD extraction with Toast Titanium ► X Audio Compression Toolkit (xACT) v.? ► FLAC (level 8) ► Pescados Software checkSum+, v.? (compute md5 checksums) ► [433 MB] 0 FLAC  
2. 02/22/19 Discovery Theatre - Anchorage, AK A Sonic Studios DSM-6Ps w/3-Way Lo-Cut Filter (@ 80hz, Middle Setting ) >Tascam DR-2D (24bit/48khz) Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); Sony Wave Hammer plugin (lower excessive crowd levels); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.30 (tagging) Location: Row N, seat 507 (right side) Recorded by: "Steve "ballsdeep" Hagar Mastered by: Dennis Orr (Tags Amended Via xACT 2.47 By OldNeumanntapr) 0 FLAC  

Joe Cocker https://www.cocker.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/01/76 Tower Theatre - Upper Darby, PA A KBFH FM Broadcast 00:49:27 0 FLAC  
2. 02/15/95 Arlington Theater - Santa Barbara, CA A+ Westwood One Pre-FM Master Reel Unknown Analog 1/4 inch reel > Baked Reels > Unknown DAT (1996 by Westwood One) Sony 7040 DAT machine ( 16b 48hz AES) > HOSA Converter (SPDIF) > Tascam DR-680 (16b) Split by Goldwave (DAT Dated 2/25/95, But This Might Possibly Refer To A Broadcast Date.) 0 FLAC  

Joe Ely  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/22/84 Palace Theatre - Hollywood, CA A- Sennheiser MKH404-tu Microphones->Sony TC-D5M (w/Dolby B)->TDK MA 90s Transfer: Nakamichi CR-3A (w/Dolby B On)->Audigy 4 Pro @ 24-44.1->Editing w/ NERO->Converted To 16-44.1 w/ Audacity->CD WAV->FLAC (Level 8)->xACT 1.73->CDR 1 FLAC  
2. 09/17/87 Roxy Theatre - West Hollywood, CA A Sennheiser MKH 406 tu Cardioids >Sony TC-D5M w/Dolby B (Recorded by Mike Martin, Mario Mancilla and Sue Musgrave) Transfer: (2015) Nakamichi CR7A (azimuth aligned, Dolby B and bias @ 70usec) > Korg MR2000-s @ 5.6 MHz DSDIFF Mastering:(2016) AudioGate (24-96) > Adobe Audition 3.0 & iZotope RX4A (prep and track splits) > Har-Bal 3.0 > AudioGate Aqua (16-44) > TLH 0 FLAC  
3. 05/20/90 Strawberry Festival - Oxnard, CA A 2 Sennheiser MKH 404 tu Microphones >Sony D5-M w/ Dolby B (Memorex UDXLII C-90) Recorded by Mike Martin with support from Sue Musgrave. Transfer: Nakamichi CR7A (with Azimuth alignment and Dolby B) > Korg MR2000-S @ 1 bit 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > iZotope RX6 advanced (prep) > CD Wave (track) > AudioGate Aqua (16-44) > TLH (flac) 0 FLAC  
4. 12/31/90 Austin Coliseum - Austin, TX A FM Broadcast Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
5. 11/28/95 House Of Blues - Hollywood, CA A Sonic Studios Microphones (Unknown Model) >Sony TCD-D3 DAT Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
6. 02/24/96 Sala Consiliare - Sesto Calende, Italy A+ Digital Soundboard Trade DAT Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO CD Master >FLAC (Level 8) Via xACT 2.39 Trade DAT Transferred By OldNeumanntapr 2 FLAC  
7. 04/14/98 El Paso - Milan, Italy A+ Digital Soundboard Trade DAT Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO CD Masters >WAV >Audacity (Minor Edits, Split Encore Break Into Separate Track) Fix SBEs >FLAC (Level 8)+ Tags Via xACT 2.44 Transferred & FLAC'd By OldNeumanntapr (Errors In 'Working For The Man'.) 1 FLAC  
8. 10/03/98 Lobero Theatre - Santa Barbara, CA A 6th Row Center: Nyquist Omnis >Sony TCD-D7 (Recorded / Transferred By OldNeumanntapr) DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.35 1 FLAC  
9. 10/04/98 The Forum On Marsh - San Luis Obispo, CA A FOB: Nyquist Omnis >Sony TCD-D7 Transfer: Tascam DA-30 > HHb CDR 800 PRO via Analog i/o, CD Masters (HHb Gold discs) >FLAC (Level 8) Via xACT 2.35 (Recorded / Transferred By OldNeumanntapr) 2 FLAC  
10. 12/29/00 Gruene Hall - Gruene, TX A Digital Soundboard ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ 0 FLAC  
11. 06/26/09 Dan's Silver Leaf - Denton, TX A FOB; Core Sound Binaurals >Sony MZ-NF810 (With Teye On Flamenco Guitar) Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
12. 03/10/12 Gruene Hall - Gruene, TX A Core Sound Binaurals (w/Bass Rolloff) >Sony MZ-NF810 Transfer: Total Recorder >Audio Cleaning Lab 3.0>WAV>FLAC (Level 8) >xACT 1.73 >CDR 2 CDR  
13. 01/12/13 McGonigel's Mucky Duck - Houston, TX A+ Soundboard / Audience Matrix; Tascam DR-680 [44.1kHz, 16bit WAV] Early Show. source 1: Audience [Rode NT4 Stereo MIC] source 2: Onstage [Apex Condenser Mic x 2] source 3: Soundboard 0 FLAC  
14. 01/12/13 McGonigel's Mucky Duck - Houston, TX A+ Soundboard / Audience Matrix; Tascam DR-680 [44.1kHz, 16bit WAV] Late Show. source 1: Audience [Rode NT4 Stereo MIC] source 2: Onstage [Apex Condenser Mic x 2] source 3: Soundboard 0 FLAC  
15. 03/03/13 The Soiled Dove Underground - Denver, CO A DPA 4060 Omnis->Church Audio Ugly Preamp->iRiver H120 (Rockboxed) Transfer: H120 > USB > CD Wave (Splitting) > Trader's Little Helper v.2.6.0 2 FLAC  
16. 03/15/13 SLO Brewing Company - San Luis Obispo, CA A- FOB, Right: Neumann AK-40's (x/y) >LC 3 >KM-100's >Beyer MV-100 >TCD-D8 (Recorded & Transferred By OldNeumanntapr) Digital Audience Master: This Recording Would Have Been Awesome, If It Hadn't Been For The Extremely Rude And LOUD Three-Fingers-In-The-Mouth Whistler Who Whistled Through The Entire Set And Was 10 Feet Behind Me! This Set Is Dedicated To Him, Hence The A- Rating 1 FLAC  
17. 02/10/17 Paramount Theater - Austin, TX A Core Sound Binaurals (w/bass rolloff) >Sony MZ-NF810 (walkman mini disc w/ auto level setting) >Total Recorder >Audio Cleaning Lab 3.0 >WAV >FLAC 8 Taper: Mike Rowefoen Transfer/encoding: joeyjay Artwork: Chee-Zee File size: 681 MB Post Production By Flying M Although rated as excellent this benefitted from the improvements made here (IMHO). Those improvements include the reduction of the audience and removal of a multitude of microphone handling noises. Harmonic Balancing and reshaping of the spectrum to give more of an up-front sound exposing more detail. One distraction was that the loud snare drum caused the auto record level function to create lots of short volume jumps. Those places have been smoothed over by small adjustments of the amplitude. Some "pumping" can still be heard but this took care of the worst. Endless hours were spent fixing hundreds of tiny details to make this sound even nicer. A Labor of love for one of my favorite artists. Happy Birthday Joe! enjoy-- Re-mastered by Flying -M- (March 2017) iZotope RX4 advanced & Har-Bal 3.0 > CD Wave > TLH (flac level 8) 0 FLAC  

Joe Jackson http://joejackson.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/12/79 The Whiskey a Go Go - Hollywood, CA A+ SBD/FM Broadcast; Reel >? >CDR >EAC >SHN >SHNtool Conv >FLAC   0 FLAC  
2. 10/14/90 Hammerjacks - Baltimore, MD A Unknown Audience   0 FLAC  
3. 08/03/91 Greek Theatre - Berkeley, CA A FOB: Schoeps MK4s >RBox >Panasonic SV-250 (16bit/48khz) Recorded By Daspyknows, In The Pit, 8 Rows Back, DEAD Center. Transferred By Nick C; Sony TCD-D7 >S/PDIF >Edirol R-44. Processed By Daspyknows; Soundforge 10b, Resample To 16bit 44.1K And Split Tracks TLH To Convert To FLAC 0 FLAC  
4. 12/04/00 The Riviera - Chicago, IL A Unknown Audience   0 FLAC  

Joe Koenig http://www.texas-soul.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/21/14 S.L.O. Brewing Company - San Luis Obispo, CA A Soundboard >XLR >Tascam DR-100mkII (24/48) Master (Recorded, Transferred, FLAC'd, & Tagged By OldNeumanntapr) Master WAV >Audacity (Track Splits & Down Sample/ Dither To 16/44.1) >FLAC (Level 8) Via xACT 2.28. Opened For The Mother Hips 1 FLAC  
2. 12/02/15 SLO Brewing Company - San Luis Obispo, CA A+ Neumann KM-140s (ORTF) >35 ft XLRs >Beyer MV-100 >Tascam DR-100mkII (24/48) (Recorded/Transferred & Tagged By OldNeumanntapr) Microphones Mounted To Front Center Ceiling Post, 10 ft High, 9-10 Ft From Stage Center. WAV >Audacity (Track Splits, Amplify, Down Sample / Dither To 16 Bit / 44.1k) >FLAC (Level 8) Via xACT 2.37. FLAC Tags Via xACT 2.37 0 FLAC  
3. 01/16/16 Fremont Theater - San Luis Obispo, CA A Digital Soundboard; Tascam SS-R100 (16 Bit/48k) WAV >Audacity (Amplify, Normalize, Track Splits, Minor Edits, Down Sample To 16 Bit 44.1k) >FLAC (Level 8) + Tags Via xACT 2.37 Solo Acoustic Opened For Jeff Bridges Recorded By Bill Gaines (Audacity, FLAC, & Tags By OldNeumanntapr) OldNeumanntapr Notes- This show was recorded by Bill Gaines, of Bill Gaines Audio, and was given to me by Joe Koenig, who wanted me to do post production on the unedited WAV file and upload the recording to the LMA. Jeff Bridges’ set was not recorded. 0 FLAC  

Joe Pug  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 03/13/13 Harlows - Sacramento, CA A+ Soundboard / Audience Matrix [Neumann AK-40's (DIN @ SBD) > LC 3 > KM-100's] + [SBD] > Edirol R-44 (Oade CM) > WAV (24bit/44.1KHz) >FLAC >xACT 1.73 >CDR   1 CDR  
2. 01/31/15 Fox Theater - Oakland, CA A Schoeps MK-4s >NBox >Tascam DR-2D (Recorded Dead Center At First Rail By Daspy Knows) WAV Files Sent Privately By Daspy 1 WAV  

Joe Russo's Almost Dead  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/05/14 Hardly Strictly Bluegrass Festival - San Francisco, CA A Schoeps MK4s >NBox >Tascam DR-2D (24bit/48khz) Recorded by Daspyknows, Appx 40 Feet From Stage, Left Side Of Center Rail Next To Trash Cans. Processed Using Soundforge 10b, Down Sample To 16bit/44.1khz WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr 0 FLAC  

Joe Walsh http://www.joewalsh.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/06/91 Warfield Theater - San Francisco, CA A- Schoeps MK4s >RBox >DAT Master (16bit/48kHz) DaspyKnows 'Group Effort' Transferred by Nick C Using Sony TCD-D7 >S/PDIF >Edirol R-44 Processed Using Soundforge 10b, Resample To 16bit/44.1kHz And Split Tracks TLH To Convert To FLAC 0 FLAC  
2. 04/13/00 The Catalyst - Santa Cruz, CA A Neumann AK-40s >LC3 >KM-100s >EAA PSP/2 >Sony SBM-1 >Sony PCM-M1 lineage: DAT master >computer >r8brain PRO >CD Wav >flac16 ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
3. 03/27/13 Rogers Arena - Vancouver, BC A- SP-CMC-8 cardioids > SP battery box > Edirol R-09 (24 bit/48 kHz) Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr FLAC  
4. 10/08/15 Capitol Theatre - Port Chester, NY A+ Digital Soundboard FLAC > Trader's Little Helper (decode to wav) > GoldWave (triple volume level, duplicate single monaural one-track file into two channels, insert .02 seconds of silence at start of duplicated right channel to simulate stereo, track splits, fades) > Trader's Little Helper (fix SBEs, encode to FLAC (Level 6) > MP3tag (tag tracks) FLAC  

John Cipollina Memorial  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/26/89 Fillmore - San Francisco, CA A+ Soundboard; > DAT Master (Panasonic SV-3700/48k) Transfer Info: DAT Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 27, 2023 Notes: -- Recorded by Don Pearson -- Tribute To John Cipollina ************************************************************************ FLAC >WAV >Audacity (Downsample To 16 Bit / 44.1kHz) FLAC (Level 8) + Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  

John Denver  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/23/68 Old Pool Farm - Schwenksville, PA A Soundboard (2013-03-24 Broadcast On WXPN-FM) Opened For The Mitchell Trio. First Track Is The 2013 Radio Announcer Intro 0 FLAC  
2. 03/15/69 Bandersnatch Coffeehouse - Granville, OH A- Soundboard (Cassette?) Some Minor Hiss, Distortion. Sounds Like It Was Recorded With A Cheap Cassette Recorder. Also Sounds Like There Was Maybe 30 People There, Judging By The Applause. 0 FLAC  
3. 05/09/69 The Nowhere Coffeehouse - Cincinnati, OH A Soundboard   0 FLAC  
4. 05/10/69 Wise Owl Coffeehouse - Cincinnati, OH A Soundboard; Cassette Tape >WAV >Goldwave (Speed Correction, Track Splitting) >Trader's Little Helper >FLAC (Level 8)   0 FLAC  
5. 03/23/70 KRHM-FM - Skip Weshner Show - Los Angeles, CA A KRHM-FM (Could be an in-house production reel) Trade CD >FLAC Via xACT 2.37 By OldNeumanntapr 1 FLAC  
6. 03/09/71 KRHM-FM - Skip Weshner Show - Los Angeles, CA A KRHM-FM (Could be an in-house production reel) Trade CD >FLAC Via xACT 2.37 By OldNeumanntapr 1 FLAC  
7. 08/26/71 Carter Barron Amphitheatre - Washington, DC B Audience; Conversion 1st gen->Pioneer Stand Alone-> EAC->WAV->FLAC->CDR Parts are really clear and parts have slight distortion. Microphone shifts off axis occasionally. Quality rating represents the worst portions of the recording. 1 CDR  
8. 09/01/71 Troubadour - West Hollywood, CA A- KDAY-AM Broadcast >CD 'Live In Los Angeles' >WAV >FLAC High Frequency Drops Sharply At 10,000hz 0 FLAC  
9. 11/16/72 Memorial Hall, Chapman College - Orange, CA B+ Audience Reel >Boot LP->CDR >FLAC [Taken From The 'Carolina In My Mind' Bootleg LP (Phonygraf Label)] CDR >WAV >Audacity (Track Splits [Previously A One-Track File]) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 1 FLAC  
10. 08/??/73 Red Rocks Amphitheater - Morrison, CO A- Lineage: SBD > TV Station Remaster > 1974 TV Show > VHS (x10?) > CD > Goldwave (Speed Correction, Studio Track Removal) > Trader's Little Helper > FLAC Level 8 Bonus Tracks: Golders Green Hippodrome, London, England 1973-01-18 01. Catch Another Butterfly (Mike Williams) 02. Jimmy Newman (Tom Paxton) Total Duration: 57 minutes and 30 seconds Band: John Denver - Acoustic Guitar, Lead Vocals Paul Prestopino - Acoustic Guitar, Mandolin, Banjo Steve Weisberg - Acoustic Guitar, Dobro, Pedal Steel Guitar Dick Kniss - Double Bass Herb Lovelle - Drums, Percussion Mike Taylor - Acoustic Guitar on Bonus Tracks Dick Kniss - Double Bass on Bonus Tracks 0 FLAC  
11. 04/26/75 Richfield Coliseum - Richfield, OH B+ Audience Trade CD >Audacity (Remove DC Offset, Remove TAO Gaps) >FLAC (Level 8) Via xACT 2.28. Clear Vocals, Decent Crowd. 2 FLAC  
12. 05/03/75 Omaha Civic Auditorium - Omaha, NE B Audience Cassette >One-Track-CDR > Audacity (Track Splits) >FLAC 'Matthew' sounds like it was edited in from the commercial live '74 release; 'Forest Lawn' has a muffled ending. The recording is incomplete and fades out during applause after 'Annie's Song.' There are supposedly four songs missing at the end of the show. There are bits of mic-handling noise on this recording, especially at the beginning, but a lot of it is really clear. Quality rating is a reflection of a mix of the best and worst aspects. 1 FLAC  
13. 10/17/75 Nippon Budokan Hall - Tokyo, Japan B Audience Trade CDs >Audacity (Track Splits & Minor Edits) >FLAC (Level 8) Via xACT 2.34 (Missing 'Thank God I'm A Country Boy' And 'This Old Guitar'.) 2 FLAC  
14. 03/29/76 Palladium - London, England A- Out Of Print Commercial LP >CDR Minor Surface Noise 1 CDR  
15. 11/11/76 Madison Square Garden - New York, NY A- Audience Cassette Very Listenable For A 1976 John Denver Audience Recording 0 FLAC  
16. 04/12/79 L'Olympia - Paris, France B+ Audience Cassette Some minor flaws. Trade CD >FLAC (Level 8) Via xACT 2.34 1 FLAC  
17. 04/11/80 Chrysler Arena - Ann Arbor, MI B+ Audience [CDR >FLAC (Level 8) Via xACT By OldNeumanntapr] Clean recording. No hiss, clear vocals. (My copy is DAO.) 2 FLAC  
18. 08/19/80 Aspen Music Festival - Aspen, CO A Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.28 2 FLAC  
19. 05/20/81 Nippon Budokon Hall - Tokyo, Japan B Audience Not bad considering the age of the recording. Suffers from a slight bit of WOW distortion. Quiet crowd. [Trade CDs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr] 2 FLAC  
20. 07/02/82 Greek Theatre - Berkeley, CA B- Audience Cassette Kind Of Rough, But Listenable. Occasional Off-Axis Microphone Noise, and Extensive Use Of Post Production Noise Reduction Leaves The Recording A Bit Muddy. 0 FLAC  
21. 10/26/82 Live at the Apollo - London, England A+ Soundboard Reel Recorded for the BBC 2 CDR  
22. 03/11/83 Harrah's - Lake Tahoe, NV B Audience   0 FLAC  
23. 03/12/83 Harrah's - Lake Tahoe, NV B- Audience Cassette [Solo Acoustic, Missing 1st Part Of Show, Slight Distortion.] Trade CD >FLAC Via xACT 2.50 By OldNeumanntapr 1 FLAC  
24. 07/13/83 Concord Pavilion - Concord, CA B+ Audience Cassette Minor Distortion, Clear Vocals, Average Crowd. (Recorded On Lawn), Trade CDs >FLAC (Level 8) Via xACT 2.28 2 FLAC  
25. 07/21/83 Pine Knob Music Theater - Clarkston, MI B+ Audience Cassette->CDR >FLAC (Clean Recording. Clear Vocals) Trade CDs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 FLAC  
26. 06/06/84 Poplar Creek - Hoffman Estates, IL B- Audience   0 FLAC  
27. 05/29/86 Birmingham N.E.C. - Birmingham, England B+ Soundboard >Televised Broadcast >Video Tape >CDR >FLAC (Trade CDs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr) Some video tape tracking errors early in the show. An underlying 'ft-ft-ft-ft' sound along with the music. Otherwise not bad. 2 FLAC  
28. 06/12/87 Windstar Symposium - Aspen, CO A Soundboard; Cassette   0 FLAC  
29. 07/27/88 Wolf Trap - Vienna, VA A- Unknown Audience CDR > WAV > Goldwave (Speed Correction) > Trader's Little Helper > FLAC (Level 8) Some Crowd Noise (Clapping), And It Appears That Noise Reduction Software Was Used Which Makes The Vocals Sound Like They Are Under Water. (John's 1st Performance At Wolf Trap) 0 FLAC  
30. 11/27/88 Holiday Star Theater - Merrillville, IN A- Unknown Audience Some Minor Flaws But Clear Sound 0 FLAC  
31. 07/27/90 Waterloo Village - Stanhope, NJ B Audience Cassette >CDR >FLAC (Vocals Could Be A Bit Clearer.) Trade CDs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 FLAC  
32. 09/21/91 Filene Center at Wolf Trap - Vienna, VA A- Soundboard; Master Cassette >? >WAV >FLAC (Some Hiss But Clear Music) 0 FLAC  
33. 10/26/91 Royal Albert Hall - London, England A Soundboard; Master Cassette >? >WAV >FLAC   0 FLAC  
34. 05/03/92 Des Moines Civic Center - Des Moines, IA A Soundboard; Cassette Master >? >WAV >FLAC   0 FLAC  
35. 07/19/92 Fiddler's Green - Denver, CO A Soundboard; Master Cassette >Unknown >WAV >FLAC   0 FLAC  
36. 01/29/94 Wheeler Opera House - Aspen, CO A- Unknown Audience >CDR >WAV >FLAC   0 FLAC  
37. 04/04/94 Unknown - Singapore, Singapore A Soundboard   0 FLAC  
38. 11/25/94 Newcastle Entertainment Center - Newcastle, Australia A Soundboard (Trade CD >FLAC (Level 8) Via xACT 2.50 By OldNeumanntapr) Sounds like a live radio or TV broadcast. (edited) 1 FLAC  
39. 08/11/95 Kansas Coliseum - Wichita, KS B+ Audience Sounds Like Noise Reduction Software Was Used Which Muffles The Sound A Bit. 0 FLAC  
40. 12/02/96 Valley Forge Music Fair - Devon, PA A AKG 460's >Crown Power Supplies >Teac DA-P20 DAT (16 Bit / 44.1kHz) Christmas With John And The Muppets 0 FLAC  
41. 08/01/97 Oakdale Theatre - Wallingford, CT A Audience Trade CDs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 FLAC  
42. 09/27/97 Jones Hall - Houston, TX A- Unknown Audience   0 FLAC  
43. 10/04/97 Bass Concert Hall - Austin, TX B Unknown Audience Sounds Like A Cassette Recorder With A Built In Mic 0 FLAC  

John Denver, Gordon Lightfoot, James Taylor & Harry Chapin  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/15/77 Olympia Stadium - Detroit, MI C+ Unknown Audience Sound Is Clear, With Some Hiss, And Crowd Noise, And Some Tape Degeneration, But John Sounds Like He's At The Other End Of An Airplane Hanger. Very Narrow Frequency Response. 0 FLAC  

John Fahey  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/08/67 Reed College - Portland, OR A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
2. 02/11/69 The Matrix - San Francisco, CA B+ Soundboard ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
3. ??/??/69 Zabriskie Point Session - unknown, unknown A- Studio Soundboard ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
4. 07/15/72 The Jabberwocky Nightclub - Syracuse, NY A Soundboard ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
5. ??/??/73 University Of Washington - Seattle, WA B+ FM Broadcast; Revox Reels @ 7.5 ips >Wavelab 24/96 >Izotope (16bit/44.1kHz) Taped and Transferred By: JEMS ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
6. 08/24/74 Amazingrace Coffeehouse Shanley Hall NW Univ. - Evanston, IL A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
7. 10/10/74 Great American Music Hall - San Francisco, CA A+ Soundboard ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
8. 05/31/75 Hunter College Assembly Hall - New York, NY B+ Audience; Tascam 302 > PC Audiograbber > Audacity > CD Wave Editor > TLH Flac level 6, aligned on sector boundaries using fix. Total Time: 44:03" ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
9. 08/15/75 Amazingrace (at The Main) - Evanston, IL A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
10. 08/16/75 Amazingrace (at The Main) - Evanston, IL A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
11. 07/14/76 Great American Music Hall - San Francisco, CA A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
12. 11/02/76 Great American Music Hall - San Francisco, CA A Soundboard (Late Set) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
13. 11/06/76 The Barn, UC-Riverside - Riverside, CA A Soundboard; > ? > SHN > WAV > Adobe Audition 3 > FLAC The main issues affecting this set were clicks, pops, and a really annoying digital "stutter" scattered throughout the show. I've gone through with a fine-toothed comb and tried to eliminate or minimize these as much as I could. remastering process included: -manual declicking & deglitching -elimination of high-frequency hum in set 1 -elimination of stereo "ghosting" in spoken segment of set 1 -minor dropout, continuity, & volume repair -3db overall boost (no limiting or compression) -retracking anazgnos 2010 FLAC  
14. 12/13/77 Great Midwestern Music Hall - Louisville, KY A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
15. 10/31/79 Great American Music Hall - San Francisco, CA A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
16. 01/10/82 Boon's Treasury - Salem, OR A- Audience, Maxell UD C90; Tascam 302 > McIntosh C40 Preamp > PC Audiograbber > Audacity > CD Wave Editor > TLH Flac level 6, no need for sector alignment. ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
17. 12/09/84 Rum Doodle's - Madison, WI A Soundboard ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
18. 04/16/86 Passims' - Cambridge, MA A Audience ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  
19. 08/26/87 The Birchmere - Alexandria, VA A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
20. 06/03/88 Oregon Sound Center Guitar & Music Shop - Salem, OR A- Audience Some Microphone Handling Noise ********************************************************************** FLAC Tags Via xACT 2.51 By OldNeumanntapr ********************************************************************** FLAC  

John Fogerty  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/27/89 Oakland-Alameda Coliseum Stadium - Oakland, CA A Soundboard >Cassette Master >Cassette II >CDR >FLAC Cassette II Transferred: Sony TC-D5M >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.35 (OldNeumanntapr) 1 FLAC  
2. 08/17/97 Shoreline Amphitheatre - Mountain View, CA A Schoeps MK4s >RBox >DAT 16Bit/48kHz. Recorded By DaspyKnows 'Group Effort' Section 102 Row K, L, M or N Dead center. Transferred By Nick C Using Sony TCD-D7 >S/PDIF >Edirol R-44 Processed Using Soundforge 10b, Resample To 16bit/44.1kHz And Split Tracks TLH To Convert To FLAC 0 FLAC  
3. 09/11/97 State Theater - Minneapolis, MN A FOB; MarcSound Omnis->Sony TCD-D7 DAT copy #1 1 DAT notes
4. 10/04/97 Farm Aid, New World Music Theater - Tinley Park, IL A+ Westwood One Pre-FM Master Reel Unknown Analog 1/4 inch reel > Baked Reels > Unknown DAT (1996 by Westwood One) Sony 7040 DAT machine ( 16b 48hz AES) > HOSA Converter (SPDIF) > Tascam DR-680 (16b) Split by Goldwave Flac Conversion and Naming by Media Money 0 FLAC  
5. 11/13/04 The Tower Theatre - Upper Darby, PA A Oade Stelth Mics >Sony TCD-D8 Trade FLACs >WAV Via xACT 2.37 (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr. No Text File With Original FLACs So It Was Necessary To Compile One Based Off Probable Recording Gear Listed On Etree. 0 FLAC  
6. 11/18/11 Beacon Theater - New York, NY A XM Satellite Radio Broadcast >Edirol R-09 > Magix Audio Cleaning Lab > WAV > FLAC   2 FLAC  
7. 04/12/19 Encore Theater - Las Vegas, NV A SP-CMC-8 (Cardioids) > SP-SPSB-10 > Roland R-07 (24bit/48kHz) Mastering: .WAV > Sound Forge Pro 11.0 Build 299 [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.30 (tagging) Location: 3rd row, DFC Recorded by: toshi Mastered by: Dennis Orr 0 FLAC  
8. 07/10/19 Liseberg Amusement Park - Gothenburg, Sweden A Schoeps MK41Vs >Nbob actives >Nbox Platinum ABS >Sony PCM-M10 (24bit/48khz) Lineage: Sony PCM-M10 > WAV (24 bit/48 kHz) > USB > PC > iZotope RX/Steinberg's Wavelab/Adobe Audition/Audacity (Edits and EQ) > dBpoweramp Music Converter > WAV 16 bit/44,1 kHz > Trader's Little Helper (Fixing SBE's) > CD Wave Editor (Cue sheet) > dBpoweramp Music Converter > FLAC (Level 8) 0 FLAC  

John Hammond  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/20/97 Wickersham - Fairbanks, AK A Sonic Studios DSM-6Ps w/3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6C (Early & Late Shows) Transfer: Master cassette (Maxell XL-IIS 100m) > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > .WAV Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: taped 10' from the performer's amplifier Recorded & transferred by: Steve "ballsdeep" Hagar Mastered by: Dennis Orr 0 FLAC  

John Hiatt  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/20/83 Cotati Cabaret - Cotati, CA A Soundboard, Master Cassette Late Show, w/Ry Cooder. soundboard > high end desktop Sony cassette deck analog cassette master (high end desktop Sony cassette deck, Maxell XLII-S 90 with Dolby off) > JVC KD-V6 (playback, with Dolby off) > Sek'd Prodif Plus soundcard > Sound Forge 8 (24 bit, normalize, fade in and out, track splits) > 16 bit .wav files > FLAC level 8 encoding align on sector boundaries. This is a fresh transfer of the late show from the master soundboard cassette. 0 FLAC  
2. 08/12/89 Dunsmuir House & Gardens - Oakland, CA A Neumann KM-84i Cardioids >Panasonic SV-250 DAT (Recorded By DaspyKnows) DAT Master Transferred Using Panasonic SV3800 >CD-RW700 >FLAC > CDWav 0 FLAC  
3. 07/27/90 The Bottom Line - New York, NY A FM Broadcast; Unknown received & tape deck > Master Cassette > 1st Gen Cassette (Maxell XLII-S) Transfer: 1st Gen Cassette > Nakamichi LX-5 (azimuth adjusted) > Focusrite Scarlett 4I4 3rd Generation USB Audio Interface > Sound Forge Pro 11.0 (Build 299) (Dell PRECISION M6800 laptop) > .WAV @ 24 bit/48 kHz Mastering: .WAV's > Sound Forge Pro 14.0 (Build 65) (splicing, minor edits, normalize, & fades) > iZotope RX7 Advanced v7.01.315 (De-click, Spectral De-noise) > CDWav (tracking) > iZotop MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Unknown Transferred & mastered by: Dennis Orr 0 FLAC  
4. 11/10/93 Ventura Theatre - Ventura, CA A WMMS FM Broadcast >DAT Master (Panasonic SV-3700) >DAT 1 >CDR >FLAC 46 min (This Appears To Be The Broadcast Date And Not The Actual Date Of The Show) Trade DAT Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO CD Master >FLAC (Level 8) Via xACT 2.41 Trade DAT Transferred & FLAC’d By OldNeumanntapr 1 FLAC  
5. 07/16/97 Graffiti - Pittsburgh, PA A+ Digital Soundboard (Acoustic) Lineage: DAT master > Sony PCM-R500 (playback) > HHB CDR-850 (burning) > CDR, then CDR > EAC > WAV > Editing (see below) > FLAC Frontend > FLAC TheCommish notes: Really nice Hiatt show featuring pretty rare songs ("Native Son", "My Sweet Girl", "After All This Time") PLUS a special "piano" version of "Sure Pinocchio", a personal favorite. Of course, the SOUND QUALITY is superb...it's like having Hiatt playing in your own living room. And for my money, the version of "Georgia Rae" (a song written about his daughter) is perhaps the best version I've heard anywhere; it sounds great in this duo's set. 0 FLAC  
6. 07/01/00 Big Top Chautauqua - Bayfield, WI A Digital Soundboard w/The Goners 0 FLAC  
7. 10/15/01 Mystic Theatre - Petaluma, CA A Digital Soundboard   0 FLAC  
8. 04/18/02 Mystic Theater - Petaluma, CA A PCM Digital Soundboard Solo Acoustic 0 FLAC  
9. 05/23/04 Keswick Theatre - Glenside, PA A+ Digital Soundboard; Denon DTR-80P DAT ************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************ Solo Acoustic FLAC  
10. 07/06/14 Cape Cod Melody Tent - Hyannis, MA A- SP-CMC-8c >SP-SPSB-11 >Sony PCM-M10   0 FLAC  
11. 03/11/16 Fremont Theater - San Luis Obispo, CA A 5th Row DEAD Center; Edirol R09 w/Internal Mics WAV >Audacity (Normalize, Amplify, Track Splits, Minor Edits) >FLAC (Level 8) Plus Tags Via xACT 2.37 Recorded By Rick Williams Transferred By Dave Schaechtel Audacity, FLAC’d & Tagged By OldNeumanntapr 0 FLAC  
12. 06/26/19 Fremont Theater - San Luis Obispo, CA A+ 12th Row, Slightly Left Of Center: Neumann AK-40s >LC3 >KM-100s >Tascam DR-100mkII (24bit/48khz) w/Internal Preamp And Phantom Power iZotope RX6 advanced & Har-Bal 3.7 (prep by Flying -M-) WAV >Audacity (Track Splits, Down Sample To 16 bit / 44.1khz, End Fade Out) >FLAC (Level 8) + Tags Via xACT 2.47 Recording, Audacity, FLAC, And Tags By OldNeumanntapr Post Production Wizardry By Flying M 0 FLAC  
13. 10/08/21 Luther Burbank Center for Performing Arts - Santa Rosa, CA A Schoeps CCM4 > Naiant Tinybox > Sony PCM-M10   FLAC  
14. 10/29/24 Aladdin Theater - Portland, OR A Sonic Studio Microphones >Sony PCM M10 (16bit/44.1kHz) WAV >Audacity (Lover Crowd Applause, Amplify Entire Recording by 1.7db, Index Tracks, Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 Recorded By DAT CC Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr FLAC  
15. 11/09/24 Fremont Theater - San Luis Obispo, CA A+ 12th Row, Near Left-Side Aisle; Neumann AK40s >LC3 >KM100s >Tascam DR100mkII* (24bit/48kHz) *w/Internal Preamp and Phantom Power WAV >Audacity (Track Splits, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Audacity Track Splits, Downsample, FLAC, Tags, Front Cover Artwork, And Photos Other Than Front Cover By OldNeumanntapr Front Cover Photo By A Friend Har-Bal 3.7 Post Production & iZotope RX8 Advanced (Flying -M-) FLAC  

John Hiatt & Lyle Lovett  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/01/10 Volkshaus - Zurich, Switzerland A- Soundman Microphones >Zoom H2 (16bit/44.1kHz) Recorded by SRM SD-card >PC >WAV >Audition3 >flac(6) carefully edited, compressed and mastered by SRM sorry for the little hiss, especially during 
“the talkings” ******************************************************************************** FLAC Tags Via xACT 2.53 + Front Cover Artwork By OldNeumanntapr ******************************************************************************** FLAC  
2. 04/30/15 Capitol Theatre - Poirt Chester, NY A+ Digital Soundboard FLAC >WAV >Audacity (Insert 15 Milliseconds Of Blank Space At Start Of Right Channel To Approximate A Stereo Effect, Minor De-Amplification Of Select Music Spikes, Amplify Entire Recording By 6.7db, Downsample To 16bit/44.1kHz, Index Tracks, Fades) Fix SBEs >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr FLAC  
3. 11/11/17 The Grand Opera House - Wilmington, DE A Schoeps MK 6 Cardioids >Actives >Nbox Platinum Plastic >Edirol R05 (24bit/48kHz) (Recorded By Ed Tyre, 1st Row Loge Center) Adobe Audition >Ozone 6 >xACT 2.39 >FLAC (16bit/44.1kHz)  

John Hiatt & The Combo  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/07/13 The Clark Center - Arroyo Grande, CA A Sonic Studios DSM-6P's >Sony TCD-D7 (Recorded By DATCC) Trade CDs >FLAC (Level 8) Plus Tags Via xACT 2.37 2 FLAC  

John Hiatt & the Goners  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/21/87 Bacchanal - San Diego, CA A- Nakamichi CM 300s >Sony TC-D5 (Slightly Midrange Heavy Sound) ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr ************************************************************************ FLAC  
2. 12/16/88 The Bachannal - San Diego, CA A FM Broadcast   0 FLAC  
3. 09/08/00 Humphries By The Bay - San Diego, CA A+ FM Broadcast; HiFi VHS >Teac RW-CD22 >CD-R >EAC >WAV >FLAC   0 FLAC  
4. 03/19/18 Fremont Theater - San Luis Obispo, CA A- Tascam DR40 w/Internal Cardioids Recorded Second Row, Right-Side Center Aisle, By Rick Williams; Har-Bal / iZotope Post Production By Flying -M- (March 2018); Audacity, FLAC, & Tags By OldNeumanntapr 0 FLAC  

John Hiatt & The Nashville Queens  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/08/95 Orpheum Theatre - Boston, MA A Front Row Mezzanine; Nakamichi CM 300s w/CP 1 Cardioid Capsules >Sony WM-D6 (Dolby B Enabled) Lineage: Cassette MASTERS > EQ > PCM > CDR > EAC Extraction > FLAC ***************************************************************** FLAC Tags Via xACT 2.53 By OldNeumanntapr ***************************************************************** Recorded And Mastered: Isotope Feeney FLAC  
2. 09/25/97 Batschkapp - Frankfurt, Germany A+ Soundman OKMII (with Soundman Adapter A3) >Casio DA-R100 DAT Ttransfer: DAT -> Tascam DA-20 -> m-audio -> WAV -> ssrc -> CDwave > TLH > FLAC files provided by: LTB digital edit by mossa 2023-02 (16-44) ******************************************************************************** FLAC Tags Via xACT 2.53 By OldNeumanntapr ******************************************************************************** FLAC  

John Lennon  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/28/74 WNEW Radio - New York, NY A FM Broadcast (Two-Hour On-Air Interview) Trade CDs >FLAC (Level 8) Via xACT 2.43 2 FLAC  

John Popper  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/16/92 The Fox Theater - Boulder, CO A Soundboard Early Show / Cass 3 >CDR Via: Sony TC-D5M >HHb CDR 800 PRO. CD Masters >FLAC (Level 8) Via xACT 2.47 Transferred, & FLAC'd By OldNeumanntapr 2 FLAC  

John Popper Band  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/13/99 Higher Ground - Winooski, VT A Neumann KM184s (20' from the stage, DFC, hanging from the rafters) >Sony PCM R500 DAT This is part of the Higher Ground (Winooski) Archive project. Post : Sony PCM R500 > Sound Devices MixPre6 (1st gen) [@24/48] Every transfer was processed with Magix AudioLab Premium using: Level Correction, Stereo Enhancer (broaden stereo image) and Graphic EQ (Hi-Fi for music) as well as fade in/fade outs. *********************************************************************** FLAC >WAV >Audacity (Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53, & Front Cover Artwork By OldNeumanntapr *********************************************************************** FLAC  

John Trudell  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/10/92 Shoreline Amphitheater - Mountain View, CA A- 2 Nakamichi CM-300s w/CP-2 Omnis > Sony WM-D6C using Maxell UDXLIIS cassettes (Recorded, And Transferred, By OldNeumanntapr From Lawn Repeater Stacks, Left Side) Transferred: Sony TC-D5M > Tascam DR100mkII (24bit/48khz) Mastered by Flying -M- (April 2021) Har-Bal 3.0 & iZotope RX 8 advanced > Goody * > CD Wave > Korg Aqua (16-44) > TLH (flac level 8) Goody lineage: Speed/Pitch-adjustments and Wow & Flutter corrections using 'Capstan', 'Audition' and 'iZotope RX 8 Advanced' audio editors Billed as “All Our Colors, The Good Road Concert" A benefit for the International Indian Treaty Council Saturday's show also featured performances by Santana, Jackson Browne, Steve Miller, John Lee Hooker with Ry Cooder, Mickey Hart and friends, White Boy & Red Thunder 1 FLAC  

John Wesley Harding  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/01/96 County Fairgrounds - Ventura, CA A+ Digital Soundboard: Sony TCD-D3 DAT M->DAT I (Furthur Festival) On Same DAT With Hot Tuna And Los Lobos Sets 1 DAT  

Johnny Cash  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/22/63 Hollywood Bowl - Los Angeles, CA A Soundboard Reel   0 FLAC  
2. 07/26/64 Fort Adams State Park - Newport, RI A+ Soundboard Reel 1. Intro by Pete Seeger / Big River 2. Folsom Prison Blues 3. I Still Miss Someone 4. Rock Island Line 5. Don?t Think Twice, It?s Alright 6. I Walk The Line 7. Ballad Of Ira Hays 8. Keep On The Sunny Side Johnny Cash & The Carter Family Studio outtakes from the 60?s 9. Wildwood Flower 10. Engine 143 11. Keep On The Sunny Side 12. Single Girl 13. Banks Of The Ohio 14. My Clinch Mountain Home 15. Lonesome Valley 16. Worried Man Blues 17. Wabash Cannonball 18. Broken Hearted Lover 19. Brown Eyes 20. Working On A Building 21. Gathering Flowers From The Hillside 22. When The Roses Bloom 0 FLAC  
3. 06/20/68 BBC Studios - London, UK A- Radio Broadcast >Tape >Trade CDR >EAC >WAV >FLAC iZotope RX6 advanced > CD Wave > TLH (flac) - Repairs by Flying -M- (2019) original notes: An older recording that was archived years ago when CDR's first came out. There is some digi noise in this recording from the deteorating media. Sounds like this may have been a broadcast archived by the BBC on an acetate perhaps. There is some record type static.. Maybe from the early vinyl bootleg "The Boy From Arkansas". (Yes there were several Cash vinyl lp bootlegs) and this may have been taken from that... Radio broadcast when Cash was on top. Not many live shows circulating with LUTHER PERKINS! He died not too long after this. 0 FLAC  
4. 10/27/72 Oral Roberts University Center - Tulsa, OK A- Soundboard Reel; 7.5"   0 FLAC  
5. 03/25/73 Unknown - East Devonport, Tasmania, Australia B+ Audience Alalog Masters >DAT File cloned in Microtrack using a Tascam Dat deck >Goldwave tracking and naming of tracks >TLH8 0 FLAC  
6. 09/15/75 Deutschlandhalle - Berlin, Germany A Soundboard   0 FLAC  
7. 10/02/76 Capitol Music Hall - Wheeling, WV A Soundboard Reel   0 FLAC  
8. 05/24/81 Jamboree USA - Capitol Music Hall - Wheeling, WV A FM Broadcast >LP Transcription Disc >FLAC Edited Broadcast 0 FLAC  
9. 08/11/83 Pacific Amphitheatre - Costa Mesa, CA A 2 Sennheiser MKH406tu > Sony D5M w/Dolby B (BASF Metal Cassette) Copy: Sony D5 w/ Dolby > Onkyo 2060 w/ Dolby C using 1 TDK SA-90 Transfer: Nakamichi CR7A w/ Dolby C > Korg MR2000-s @ 1 bit 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > Har-Bal 3.7 & iZotope RX6 advanced > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) Story goes that the guys were expecting an opening act and next thing you know Johnny is coming on and they were not prepared. They ran for their seats and started the recorder missing the introductions and beginning of the first song. Seems like the show is a bit short if there were no supporting acts. There are places where it is windy and this required a multitude of spot repairs to reduce those disturbances. Handling noises were also removed as this was in a crowd so there were thumps and bumps from just holding the mics. The loudest applause was reduced and random claps, ticks and clunks were removed. Nearby whistling, whoo hooing and chatter were also removed or reduced where possible. A much smoother ride now. The actor William Hopkins sings with Johnny on "Honky Tonk Man" then Johnny asks him to do his John Kennedy imitation. Bo recites part of the president's famous speech: "Ich bin ein Berliner" is a well-known quote from a speech by United States President John F. Kennedy given on June 26, 1963, in West Berlin. It is widely regarded as the best-known speech of the Cold War and the most famous anti-communist speech. Many thanks to "Flex" Hamilton for loaning me his tapes to share with everyone. For historical reference only and not intended for resale or any commercial use Enjoy -M- (August 2019) 0 FLAC  
10. 08/25/90 Rocky Gap Festival - Cumberland, MD A Digital Soundboard Trade DAT Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.28 (80 Min) 0 FLAC  
11. 03/01/91 Proctor's Theater - Schenectady, NY B+ Unknown Audience   0 FLAC  
12. 12/08/94 Frank Erwin Center - Austin, TX A+ Digital Soundboard Trade FLACS >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
13. 07/23/95 Frost Amphitheater - Palo Alto, CA A Unknown Digital Audience   0 FLAC  
14. 09/07/96 Irving Plaza - New York, NY A Digital Soundboard   0 FLAC  

Johnny Cash Show  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 03/14/61 Civic Auditorium - Houston, TX B+ Soundboard Reel Johnny Cash And The Tennessee Three, Rose Maddox, George Jones, Claude Gray, Gordon Terry, Roger Miller, And Johnny Western. [Trade CDs >FLAC (Level 8) Via xACT 2.28] 2 FLAC  

Joni Mitchell http://jonimitchell.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/23/68 Old Pool Farm - Schwenksville, PA A Soundboard Reel "Outside Schwenksville" Philadelphia Evening Bulletin, August 24, 1968 by Walter Naedele Joni Mitchell Breaks Up Opening of Festival In an open field outside Schwenksville last night, a girl with blonde hair long as uncut wheat brought several thousand listeners to their feet, cheering for a voice echoing words that haunted. Joni Mitchell had stopped the opening night of the seventh annual Philadelphia Folk Festival dead in its tracks. Only her plea that she was not permitted any encores beyond her 20 minutes of five songs silenced the shouting that proclaimed this girl a sensation. It was her first appearance here since her only album appeared earlier this year. Joni Mitchell - a 24 year old Canadian, with only one album, and a reputation that has blossomed her into the most exciting girl singer since Judy Collins, since Joan Baez. For Joni is a writer and an influence. Like Tim Hardin, her songs have been heard through other singers: Judy Collins singing "Michael from Mountains"; some group making popular "Both Sides, Now." Joni Mitchell is also a phenomenon. Like the crashing surf, you have to feel her voice hitting you hard to gain the exhilaration of something yet unexperienced. The awful thing about Joni has been that she seemed to have two voices, a deep, open-throated tenor and thin soaring soprano. She could not sustain a song without breaking across into what seemed a weakness. But last night, she was stronger than in her album, each of her voices a richness, singing "Being Free," "Chelsea Morning," "Both Sides, Now" and a medley of "The Circle Game" and "Little Green." The crowd sang "Circle Game" with her, a song she's never recorded. Her awareness awakened by the bitterness of the cities in these, her voice carried the awe of a country girl affronted, the humility of a girl warning against what she had lived through. Joni herself, was in bad shape, suffering from the effects of hepatitis. 0 FLAC  
2. 07/19/69 Newport Folk Festival - Newport, RI A Soundboard Trade CD >FLAC (Level 8) Via xACT 2.47 1 FLAC  
3. 06/15/79 Playboy Jazz Festival, Hollywood Bowl - Hollywood, CA A Sennheiser MKH 404 tu Cardioids >TEAC PC-10 (w/ Dolby B) This is another Los Angeles Tape eXchange Recording (LAX) Recorded by John Musgrave with Sue getting the equipment into the venue. Copy:(1980) Akai GXC 570 D2 (w/ Dolby and Bias @ 70usec) > TEAC AN 180 Dolby > Revox B-77 @ 3 3/4 ips Transfer:(2015) Revox B77 > Teac AN 60 Dolby > Korg mr2000-s @ 1 bit 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > Adobe Audition 3.0 & iZotope RX4A (prep and track splits) > AudioGate Aqua (16-44) > TLH (flac level 8) song information embedded with Stamp ID3 tag editor Tape recorder paused between some songs 0 FLAC  
4. 09/12/79 Greek Theatre - Los Angeles, CA B+ 2 Sennheiser MKH 404 tu Microphones >Sony TC-D5 w/Dolby B Copy (1979): Akaii GX 570 D2 w/ Dolby, bias @ 70us > Revox B77 @ 7 1/2 ips on Maxell UD 35 90 Transfer (2014): Revox B77 > Korg mr2000-s @ 1 bit, 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > iZotope RX 4 Advanced and Adobe Audition 3.0 (clean up, track splits) > AudioGate Aqua (16-44) > TLH (flac level 8) Song information embedded with Stamp ID3 tag editor Clean up included masking loud claps, minimizing microphone handling noises and repairing stray ticks or pops. Sneezing, sniffing, coughing, whistling and talking were also reduced. Volume and balance adjusted as needed. 0 FLAC  
5. 04/26/83 Koninklijk Circus - Brussels, Belgium A FM Broadcast   0 FLAC  
6. 04/27/83 Congresgebouw - The Hague, Netherlands A FM Broadcast   0 FLAC  
7. 06/05/93 The Troubadours of Folk Fest., Drake Stadium, UCLA - Los Angeles, CA A FOB: Sony ECM 909->Sony WM-D3 Audience Master->CDR XLII 100 Master->CDR Transferred Via: Sony TC-D5M->HHb CDR 800 PRO 1 CDR  
8. 10/23/98 Target Center - Minneapolis, MN A+ Digital Soundboard (1st Clone) Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.37 Recorded Via Hearing Impaired Receiver->Sony TCD-D7 (Opened For Bob Dylan) Recorded By Tom Jorgensen 1st Clone Trade DAT Transferred By OldNeumanntapr 1 FLAC  

Judas Priest http://judaspriest.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/05/80 Calderone Concert Hall - Hempstead, NY A WLIR FM Broadcast >Maxell Reel Master >Maxell XL I Cassette >CDR >EAC >WAV >FLAC   1 FLAC  
2. 11/21/81 Hammersmith Odeon - London, England A FM Broadcast   FLAC  
3. 12/13/83 Apollo Theater - Glasgow, Scotland B- Unknown Audience ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
4. 12/16/83 Hammersmith Odeon - London, England A- Unknown Audience ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  

Julianna Raye  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/06/93 'Troubadours Of Folk', Drake Stadium, UCLA - Los Angeles, CA A- FOB: Sony ECM 909->Sony WM-D3 Audience Master->CDR->FLAC XLII 100 Masters Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o CD Masters >FLAC (Level 8) Via xACT 2.25 Recorded By Rick Williams Transferred By OldNeumanntapr (XLII 100 Masters Were Borrowed For Transfer) [Third Set Of The Night, On Same Disc As Harvey Reid And Len Chandler] 1 FLAC  

Julien Baker https://julienbaker.bandcamp.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/12/17 Fox Theater - Oakland, CA A Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) Recorded From Dead Center, Front Orchestra Level. Recorded, And Processed With Soundforge 11, By Daspyknows. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.39 By OldNeumanntapr 0 FLAC  

k.d. lang  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/08/88 Austin Opera House - Austin, TX A+ Soundboard Reel 1/4" Reel >Baked Reels >DAT >FLAC DAT Transferred: Sony 7040 DAT Machine (16bit/48khz AES) HOSA Converter (S/PDIF) >Tascam DR-680 (16bit) Split by Goldwave, FLAC Conversion & Naming By Media Money 0 FLAC  

Kaleidoscope  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/??/67 Club 47 - Cambridge, MA A- Audience Reel (On Stage Mics?) Probable line-up: Brotman, Crill, Feldthouse, Lindley, Vidican 'The date has been suggested as 1969 elsewhere, but Club 47 closed in mid-1968.' according to www.lysergia.com (Sound Quality Is Surprisingly Good for a 1967 AUD. The Vocals Are A Little Weak But Instruments Are Really Clear, Which Leads Me To Believe That The Mics Were Most Likely Placed On Stage.) 1 FLAC  
2. 08/04/68 Shrine Auditorium - Los Angeles, CA B Monaural Reel Audience Two Versions, One With EQ And One With NO EQ. 0 FLAC  

Kansas http://www.kansasband.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/30/91 The Rheem Theater - Moraga, CA A+ Schoeps MK4s >Panasonic SV-250 DAT w/Reutelhuber Mod Recorded By Daspyknows, Center Section, Row M, Seat 8. One Seat Left Of Soundboard. Master DAT Transfer: Panasonic SV3800 >Tascam CD-RW700 >WAV >FLAC 0 FLAC  
2. 04/10/19 Paramount Theater - Oakland, CA A IEM/AUD Matrix; Source 1: 7x Wireless Sources > Multitrack Recorder Taper: Hoserama Source 2: Custom Build Omnis > Custom Build Battery Box > Sony M10 Taper: Anonymous Mixed, Produced, and Mastered by Sharebear/Hoserama Aligned in Adobe Audition Mixed in Nuendo 4, using extra waves, Ozone, Slate plug-ins Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix version 20190507 0 FLAC  

Karen Tyler  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/26/00 SLO Veteran's Hall - San Luis Obispo, CA A+ Digital Soundboard; Tascam DA-P1 (Recorded/Transferred By OldNeumanntapr) DAT Master Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII (16/44.1), WAV >Audacity (Track Splits) >FLAC (Level 8) Via xACT 2.28 1 FLAC  

Karla Bonoff  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/21/15 Ridgefield Playhouse - Ridgefield, CT A SP CMC 8 Cardioid (Mics In Hat) >SP SB 8 battery >Olympus LS 10 Recorded And Transferred By Scott Norman Trade FLACs >WAV Via xACT 2.37 >Audacity (Combine Tracks, Normalize, Amplify, Track Splits) >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr 0 FLAC  

Keith Richards & The Xpensive Winos  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/13/93 Orpheum Theatre - Boston, MA A Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.39 2 FLAC  

King Crimson https://www.dgmlive.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/06/84 Greek Theater - Los Angeles, CA A Sennheiser MKE-2002 omnis >Nakamichi 350 Otari DTR-8S > Korg MR2000-S > iZotope RX6 Advanced > CD Wave > TLH (flac level 8) [Post Production By Flying M] 0 FLAC  
2. 11/28/95 State Theater - Detroit, MI A FOB; Neumann AK-40's >LC3 >KM-100's >Aerco MP-2 >Casio DA 7 Transfer: Trade DAT(5) > Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16/48) 1 FLAC  
3. 11/26/01 Murat Temple Theatre - Indianapolis, IN A Sonic Studios DSM6s (In-Hat/Floor/LoC) >Sony SMB-1 >Sony TCD-08 (16bit/48khz) Recorded By Stymie: Transfer: DAT/M > Sony PCM R-300 (coaxial) > Tascam DR-680; DiGiHoArDeRs: 11/25/18 0 FLAC  
4. 09/08/15 Hackney Empire - London, UK A Sonic Studios DSM-6 >PA6-XP>M Audio Microtrack Wavelab >CD Wave Editor >FLAC (Level 8) 0 FLAC  
5. 06/17/17 Fox Theater - Oakland, CA A FOB: Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) Recorded By Daspyknows, Center Seat Loge, Row B. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.39 By OldNeumanntapr 0 FLAC  
6. 06/21/17 Greek Theatre - Los Angeles, CA A Audio Technica AT-943s >SP-SPSB-11 >Sony PCM M-10 (24bit/96khz) Recorded From Row M, Section A, Center; iZotope RX6 advanced, Har-Bal 3.0 & Adobe Audition > TLH (flacs) Recorded And Processed By Flying M 0 FLAC  
7. 11/10/17 The Egg - Albany, NY A AKG ck61> Niaint PFA >Oade Concert Mod PMD661 Transfer: CF >Audacity >CD WAV Editor >TLH >FLAC 0 FLAC  

Kingfish  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/29/74 Chateau Liberté - Los Gatos, CA A/- Soundboard Reel; 1st Reel Copy From Master (7 & 1/2 ips) >DAT Master >CDR >FLAC Reel Transfer: TEAC X1000R >Tascam DA-30, DAT Transfer: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO CD Master >WAV Via xACT 2.37 >Audacity (Combine Tracks, Slightly De-Amplify, Minor Edits, Re-Track) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded By Remote Sound Truck. Reel Borrowed From The Collection Of Mike Johnson. See Text File Notes For Complete Story. 1st Reel Transfer >DAT >CDR >FLAC + Tags By OldNeumanntapr ** Order Of Set II Song Titles Do NOT Match Etree 1 FLAC  
2. 03/02/86 The Ritz - New York, NY A- Second Gen Soundboard Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper Trips Tour w/Sounds of San Francisco & Zero. Guests Included Dave Perper, Dave Margen, Paul Shaffer, Steve Jordan, & The Uptown Horns 0 FLAC  
3. 06/05/90 DK's West Indies Bar - San Luis Obispo, CA A- FOB: Aiwa CM-30 Stereo Cardioid >Sony WM-D6C Cassette Master (Recorded By OldNeumanntapr) TDK MA-110 Cassette Master Transferred: Sony TC-D5M >Tascam DR-100mkII, WAV >FLAC (Level 8) Via xACT 2.28 1 FLAC  

Kingston Trio  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/05/93 'Troubadours Of Folk', Drake Stadium, UCLA - Los Angeles, CA A FOB: Sony ECM 909->Sony WM-D3 Audience Master->CDR XLII 100 Master->CDR Transferred Via: Sony TC-D5M->HHb CDR 800 PRO 1 CDR  

The Kinks  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/10/70 Santa Monica Civic Audtorium - Santa Monica, CA A- Sennheiser 805 Shotgun Microphone >Uher 4000 @ 7 1/2 ips On 5" Diameter Reel To Reel Tape Flying -M- Copy: Tandberg 9000X > Revox B77 w/Dolby > Sony DTC 690 (this is from my safety back up DAT) 2010 TRANSFER: Sony DTC-690 > AUDIGY 4 (via Toslink) 2019 RESTORATION: iZotope RX 6 advanced & Har-Bal 3.0 > CD Wave > TLH **** Technical issues that were repaired: The recording equipment had transport issues and there would be a series of dropouts when each new reel was started. For the first few minutes of each tape there are gaps about every second (think 5 " reel turning once at 7 1/2 ips). chunk chunk chunk chunk chunk chunk. There were also dropouts throughout the tape but not as many as the beginning of each reel. The sound was lacking in bass frequencies and howling in the mid-range. Similar issues affect many recordings from this source. These tapes have been relegated to storage boxes all these years because of the quality issues. Now with iZotope RX and Har-Bal these issues were corrected. This time Har-bal was used to adjust the frequency balance to get a smoother sound. The wave files have been reviewed with headphones to find the dropout gaps which were then patched in from the opposite channel or nearby content. At this time the loudest claps between the songs were reduced or removed. Some of the bumps and bruises of this tape can still be heard if you listen close enough. There were hundreds of repairs but some noises certainly slipped by. The tape was flipped between "You Really Got Me" and "All Day and All of the Night" and the break was spliced together but some is missing. The other tape flips were during applause and some audience noise was moved around and inserted to reduce the abrupt breaks. That's the technical stuff and these are the things that were fixed for this project so they won't bother you. Even knowing this background info you would likely agree that this tape sounds great for its time. This concert really shows how good the KINKS were back then. Loved the Santa Monica Civic Auditorium! Enjoy Flying -M- Productions (2019) (originally shared in 2010 I used my same 2009 transfer but this version has been mastered with better software) 0 FLAC  
2. 11/13/70 Fillmore West - San Francisco, CA B+ Soundboard ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
3. 04/01/72 Music Hall - Boston, MA B- Sony TC-110A w/Built In Microphone Recorded By Joe Maloney 0 FLAC  
4. 02/14/74 NBC Studios - Burbank, CA A TV Broadcast (Mono) > Unknown > DAT (16bit/48khz) Otari DTR 8-s > Korg MR2000-s @ 16-48 > Har-Bal 3.7 & iZotope RX6 advanced > CD Wave > TLH Recording came with the date of June 7th 1974 on the tape. Ray mentions that this is the day before Mic Avery's birthday and that would date the recording to February 14, 1974. 0 FLAC  
5. 07/14/74 Hippodrome - London, UK A+ FM Stereo Soundboard; BBC Reels >BBC Transcription Disc >FLAC   0  
6. 02/19/77 Winterland - San Francisco, CA A FM Broadcast: KSAN Reels #506A, #506B 7 1/2 ips 1/2 Track Stereo Mix Down Tape Of Multi-Track Master Playback Revox A-77 >Panasonic SV-250 DAT(Internal A/D) Panasonic 3800 >Apple G4 (Peak Editing, Sample Rate Conversion) >xACT Trade FLACS >WAV (Combine D1 & D2 Folders To One Set Of Sound Files By Adding d1 & d2 To File Names) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
7. 02/17/79 Eisenhower Auditorium - State College, PA A- Soundboard; Master Cassette >Cass 1 >WAV >SHN >FLAC Isotope RX6 Advance Post 0 FLAC  
8. 08/19/81 Hollywood Palladium - Los Angeles, CA A- AKG 451E Microphones w/CK-1 Cardioid Capsules >Nakamichi 550 Cassette (Vocals Are A Little Unclear) JEMS 2020 Transfer: Mike Millard First-Generation Cassette > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC **************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr **************************************************************** FLAC  
9. 04/04/82 Grugahalle - Essen, Germany A FM Broadcast (Rockpalast) Trade CDs >FLAC (Level 8) + Tags Via xACT 2.44 2 FLAC  
10. 04/23/88 Universal Amphitheatre - Los Angeles, CA A- Sennheiser MKH404 tu mics >Sony D5 w/ Dolby (Maxell MX90 Cassettes) Transfer Nakamichi CR7A w/ Dolby B (azimuth aligned and bias @ 70usec) > Korg MR2000-S @ 1 bit 5.6 MHz DSDIFF Mastering by -M- Har-Bal 3.0 & iZotope RX6 advanced > CD Wave > AudioGate Aqua 16-44) > TLH During the first song Ray mentions how nice it is to be back in...... San Francisco. He is spoofing the audience and don't be confused as this was not recorded in San Francisco. Sitting in front of the PA stack on the right side makes the bass really strong and it was reduced a bit Applause from elsewhere in the show was inserted into the tape flips to smooth out the abrupt cuts. Lola was the encore and the band left the stage while the audience continued chanting LOLA and began leaving. When the lights came on the deck was turned off and the tapers were making a clean get away when the band returned. Smoothed out the abrupt start but the taper was in a different location so the SQ is a bit different. For historical reference only and not intended for resale or any commercial use. Enjoy -M- (April 2018) 0 FLAC  
11. 04/22/90 The Kline Center, Dickinson College - Carlisle, PA A Sony ECM 959DT Stereo Cardioid >Sony TCD-D10 [Emphasis] Transfer: DAT Master >Sony PCM-R500 >SPDIF >Tascam HD-P2 >SOX* >CDWave (16bit/48khz) *Emphasis" Removed WAV >iZotope RX4 advanced & Har-Bal 3.0 > WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) > FLAC (Level 8) + Tags Via xACT 2.37 Recorded By ‘Phantom Power Productions’ DAT Master Provided By OldNeumanntapr Transfer By Terry Watts Post-Production by Flying -M- iZotope RX4 advanced & Har-Bal 3.0 Clean-up & Harmonic Balancing Audacity Track Splits / Down Sample, FLAC & Tags By OldNeumanntapr 0 FLAC  
12. 04/23/18 Universal Amphitheater - Los Angeles, CA A 2 Sennheiser MKH404 tu mics > Sony D5 w/ Dolby using 2 Maxell MX90 cassettes Transfer Nakamichi CR7A w/ Dolby B (azimuth aligned and bias @ 70usec) > Korg MR2000-S @ 1 bit 5.6 MHz DSDIFF Mastering by -M- Har-Bal 3.0 & iZotope RX6 advanced > CD Wave > AudioGate Aqua 16-44) > TLH 0 FLAC  

The Knack  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/23/79 The Golden Bear - Huntington Beach, CA C Unknown Audience Cass Master >Untracked Aiff File >Soundforge >FLAC (Set 2 Only, Loud Obnoxious Crowd, Some Distortion) ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
2. 03/30/80 The Forum - Inglewood, CA A Soundboard; 2nd Gen Cassette >CDRW700 >EAC >Soundforge >FLAC ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
3. 05/21/88 Madame Wongs West - Santa Monica, CA A Soundboard; Analog Master ************************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 2.28db, Re-Track On Original Index Points) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 (And Front-Cover Artwork) By OldNeumanntapr ************************************************************************************** FLAC  

The Knitters  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/13/11 Brixton's on the Pier - Redondo Beach, CA A 2 Sennheiser E-614 Microphones (On Table Stand) >Core Sound 24-96 @ 24-44 >HP IPAC > SD Memory 2016 Mastering: iZotope RX4 Advanced & Har-Bal 3.0 (prep) > CD Wav > iZotope RX4 (16-44) > TLH (Flac Level 8) Song information embedded with Stamp ID3 tag editor The PA speakers are mounted on the ceiling about 6 feet in front of the stage. I set up an additional 10 feet past that to catch the vocals and the band. To stay out of the turbulence of the crowd I set up towards the right side of center. Slipped up to the stage a couple times to take photos. Completely remastered these files in 2016 with much better software. iZotope removed the loudest claps and other odd noises during the postproduction editing Har-Bal compressed the dynamics and did some harmonic balancing making this nicer sounding now. For historical reference only and not intended for resale or any commercial use. Enjoy this slice of American music. -M- (original: May 2011) (Rev A: April 2016) FLYING M PRODUCTIONS 0 FLAC  

KVHW http://www.kimock.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/05/98 The Gate - Vancouver, BC A AKG C-61s (On Stage) >Tascam DA-P1 >DAT 2 >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.36 3 FLAC  

Langhorne Slim  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/05/18 Hardly Strictly Bluegrass Festival - San Francisco, CA A- Schoeps MK4s >NBox Platinum >DR-2D (24bit/48khz) Recorded by Daspyknows Dead Center FOB Processed Using Soundforge 11, Down Sample To 16bi/44.1khz WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr 0 FLAC  

Laura Marling  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/08/15 Outside Lands Music Festival - San Francisco, CA A Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) Recorded 60 ft From Stage, Dead Center, By Daspyknows. Processed Using Soundforge 11, Resample, To 16bit/44.1Khz [WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.37] 0 FLAC  

Leftover Salmon http://www.leftoversalmon.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/09/96 Round Mountain Music Park - Round Mountain, NC A Soundboard; DAT >Analog Out >Sony TC-D5M Cass Master Set I = Acoustic Set II = Electric 0 FLAC  
2. 02/01/00 S.L.O. Brewing Company - San Luis Obispo, CA A+ Digital Soundboard Master; Tascam DA-P1 (Recorded By OldNeumanntapr) 1st Out Of Board. 2 DAT  

Len Chandler  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 06/06/93 'Troubadours Of Folk', Drake Stadium, UCLA - Los Angeles, CA A- FOB: Sony ECM 909->Sony WM-D3 Audience Master->CDR->FLAC XLII 100 Masters Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o CD Masters >FLAC (Level 8) Via xACT 2.25 Recorded By Rick Williams Transferred By OldNeumanntapr (XLII 100 Masters Were Borrowed For Transfer) [Second Set Of The Night, On Same Disc With Harvey Reid And Julianna Raye] 1 FLAC  

Lenny Bruce  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/04/62 Gate Of Horn - Chicago, IL A Soundboard Reel ('Busted' CD) Trade CD >FLAC (Level 8) Via xACT 2.47 1 FLAC  

Leon Russell  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 03/14/04 The 400 Bar - Minneapolis, MN A Audio Technica AT 943 >Battery Box >MZ N707 > ATRAC SP Recorded FOB DFC 25' Off Stage By Ben Turnbull 0 FLAC  
2. 10/21/13 Yoshi's - Oakland, CA A Schoeps MK4s >NBox >Tascam DR-2D (24bit/48khz) Recorded, & Processed, by Daspyknows. Processed Using Soundforge 10b, Down Sample To 16bit/44.1khz TLH To Convert To FLAC Files Sent Privately By Daspy 0 FLAC  

Leonard Cohen  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/18/93 The Complex - Los Angeles, CA A+ Pre-FM Soundboard Pre-tour performance at The Complex in Los Angeles broadcast as part of the Columbia Records Radio Hour series. This version is from a radio station CD and is therefore pre-FM with flawless sound. Enjoy this fine performance with many arrangements very different from the tour gigs which followed. 0 FLAC  
2. 11/05/08 Clyde Auditorium - Glasgow, UK A Unknown Digital Audience Trade CDs >FLAC (Level 8) Via xACT 2.47 3 FLAC  
3. 11/03/12 1st Bank Center - Broomfield, CO A Schoeps MK4's >NBox >Sony PCM-M10   0 FLAC  

Les Claypool's Fearless Flying Frog Brigade http://www.lesclaypool.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/01/01 Greek Theatre - Berkeley, CA A Neumann KM-140's (ORTF)->Beyer MV-100->Tascam DA-P1 (Recorded By OldNeumanntapr) Digital Audience Master; Front Row OTS. (90 min) 1 DAT  

Linda Ronstadt https://www.lindaronstadt.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/18/73 The Record Plant - Sausalito, CA A KSAN FM Broadcast; Master Cassette >(Via: NAD 616 Cassette Deck >HHb 830) Trade CD >FLAC (Level 8) Via xACT 2.47 1 FLAC  
2. 07/21/74 My Father's Place - Old Roslyn, NY A FM Rebroadcast (Early 80s Rebroadcast) 92.7 WLIR-FM Cassette Master WLIR-FM > Technics Receiver > BIC Cassette Deck > Maxell XLSII > Sony TC-WE835S Cassette Deck > Behringer UCA202 > Sony Soundforge 9.0 > FLAC level 6 aligned on SB (Trade CD >FLAC (Level 8) Via xACT 2.47) 1 FLAC  
3. 08/17/74 McCabe's Guitar Shop - Santa Monica, CA A Soundboard Reel   0 FLAC  
4. 10/03/77 Universal Amphitheater - Los Angeles, CA A AKG 451E Microphones (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette (Recorded By Mike Millard) JEMS 2019 TRANSFER: first-generation cassette made by Mike Millard for Jim R > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX MBIT+ resample 16/44.1 > iZotope RX and Ozone mastering > Peak Pro XT (post production) > xACT 2.39 > FLAC 0 FLAC  
5. 10/22/90 Pacific Amphiteatre - Costa Mesa, CA A AKG 451 Microphones w/CK-1 Cardioid Capsules >Nakamichi 550 Cassette (Recorded By Mike Millard) JEMS 2020 Transfer: Mike Millard Master Cassette > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > TLH > FLAC 0 FLAC  

Linda Rose And The Thorns  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/07/09 Santa Maria Brewing Company - Santa Maria, CA A- Neumann KM-140's (Near Coincident)->Beyer MV-100->Tascam DA P1 (Recorded By OldNeumanntapr) Digital Audience Master; Tiny Cantina-Type Bar. Mics On Stand, 8 ft High. Two Musicians: Bass Guitar & Vocals, Lead Guitar & Vocals. Nice Acoustics; Tile Floor. 1 DAT  

Lindsey Buckingham  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/08/12 Fremont Theater - San Luis Obispo, CA A ECM MS-907 Stereo Mic >Sony MZ-NHF 800 >PC >WAV >FLAC >CDR >FLAC Trade CD >FLAC (Level 8) Via xACT 2.41 1 FLAC  

Link Wray  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/23/05 Bluebird Theatre - Denver, CO B+ Sonic Studios DSM6 > 85 cycle bass roll-off > Sony TCD-D7   1 FLAC  

Little Feat http://www.littlefeat.net
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/02/88 Oxford Plains Speedway - Oxford Plains, ME A+ Digital Soundboard; UltraMatrix > DAT Master (Panasonic SV-3700/48k) Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k (1 DVD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net April 18, 2018 0 FLAC  
2. 10/11/92 Shoreline Amphitheater - Mountain View, CA A Nakamichi CM-300s w/CP-2 Omnis > Sony WM-D6C using Maxell UDXLIIS Cassettes (Recorded By OldNeumanntapr from lawn repeater stacks, left side.) Transferred: Sony TC-D5M > Tascam DR100mkII (24bit/48khz) Mastered by Flying -M- (January 2021) Har-Bal 3.0 & iZotope RX 8 advanced > CD Wave > Korg Aqua (16-44) > TLH (flac level 8) Billed as "Healing The Sacred Hoop - The Next 500 Years" A benefit for the International Indian Treaty Council Sunday's show also featured performances by Bonnie Raitt, Don Henley, Todd Rundgren, Ry Cooder & David Lindley, Cris Williamson, and Floyd "Red Crow" Westerman The Band Kenny Gradney - Bass Richie Hayward - Drums Sam Clayton - Congas Bill Payne - Keys Paul Barrere - Acoustic Guitar Fred Tackett - Acoustic Guitar & Trumpet 0 FLAC  
3. 10/11/92 Shoreline Amphitheater - Mountain View, CA A FOB: Schoeps MK-4's >RBox >DAT   1 FLAC  
4. 08/29/97 High Sierra Music Fest - Bear Valley, CA A+ Digital Soundboard Trade DAT (1st Clone) Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII, WAV >FLAC (Level 8) Via xACT 2.28 1 FLAC  
5. 11/04/98 Van Duzer Theatre, HSU - Arcata, CA A+ Digital Soundboard Trade DAT (1st Clone) Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII, WAV >FLAC (Level 8) Via xACT 2.28 1 FLAC  
6. 11/05/98 Mateel Community Center - Redway, CA A Digital Soundboard >Patch Bay >TCD-D8   1 FLAC  
7. 11/08/98 Harrah's - Lake Tahoe, CA A+ Digital Soundboard Trade DAT (1st Clone) Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII, WAV >FLAC (Level 8) Via xACT 2.28 1 FLAC  
8. 05/30/99 Avila Beach Golf Resort - Avila Beach, CA A Digital Soundboard (Recorded By OldNeumanntapr) Tascam DA-P1 Master 1 DAT  
9. 01/21/01 Coach House - San Juan Capistrano, CA A Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.39 2 FLAC  
10. 04/29/01 Pozo Saloon - Pozo, CA A Soundboard >Patch Bay >XLR >Tascam DA-P1 DAT Master DAT Master Transferred: Tascam DA-P1 >S/PDIF coax >HHB CDR 800 PRO CD Masters Transferred With xACT 2.25 (FLAC Level 8) Recorded/Transferred By OldNeumanntapr 2 FLAC  
11. 07/08/01 High Sierra Music Festival - Quincy, CA A FOB: Nakamichi CM-300's w/CP4 Shotguns > Sony TCD-D8 Tascam DA-302 > Sound Forge Audio Studio 10 > Flac 44.1KHz/16 bit/Stereo 0 FLAC  
12. 06/19/05 Clinton State Park - Lawrence, KS A AKG 461s (Modified) (DIN, ~9 ft high, DFC, FOB) >Edirol/Roland UA-5 Pre/PS/A>D with Oade T+ mod @ 48 kHz >Sony PCM-M1 DAT   0 FLAC  
13. 07/01/05 Nelson Ledges Quarry Park - Garrettsville, OH A Schoeps CMC6/MK4v side-address cardioids (positioning unknown) ► Grace Lunatec V3 Pre/PS/A>D (16bits/44.1kHz) ► Tascam DA-P1 DAT (record) (Taped and transferred by Chris Cafiero - Little Feat Archivist, FLAC conversion by Randy Vogel) - Transfer - Tascam DA-P1 DAT (play) ► M-Audio Dio 2448 soundcard ► MiLo Software CD Wave v.? (tracking) ► mkw Audio Compression Tool v0.97b ( losslessly convert WAV to SHN; calculate .md5 checksums) ► SHN [625 MB] ► foobar2000 v0.8.3 (conversion to FLAC Level 8; all files bit-verified identical) ► FLAC [598 MB] 0 FLAC  
14. 04/29/08 WorkPlay Theater - Birmingham, AL A Schoeps MK4/MK8 (mid-side) >KC5 >CMC6 >Kynd Kable Interconnects >Busman W-Mod R4 Pro Gift CDs From Taper Jeff Hatcher >FLAC (Level 8) Via xACT 2.41 2 FLAC  

Little Village  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/05/92 Paramount Theater - Denver, CO A FM Broadcast; DAT >CDR >FLAC Trade FLAC >WAV (File Names Changed To Reflect Etree Standards) >FLAC (level 8) + Tags Via xACT 2.37 By OldNeumanntapr 0 FLAC  
2. 04/14/92 Arie Crown Theater - Chicago, IL A+ Digital Soundboard 'Stage Job' Bootleg CD, Missing Last Three Songs 2 FLAC  

Little Women  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/22/87 Cambria Pines Lodge - Cambria, CA A- Soundboard; Sony TC-D5 Cassette Master->CDR (Nakamichi CR-3A>Luxman EQ G111>M-Audio 2496>CoolEdit>CdrCue>Cdrwin) 2 CDR  

Los Lonely Boys  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/09/13 Vina Robles Amphitheatre - Paso Robles, CA A- Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >Tascam DR100mkII (24/48) Recorded & Processed By OldNeumanntapr. Digital Audience Master. Recorded At Soundboard, Microphones On A Six-Foot Stand. Los Lonely Boys Sound Man Would NOT Allow A Board Patch 1 FLAC  

Los Straitjackets & El Vez  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/10/10 The Casbah - San Diego, CA A Church Audio Mics + Preamp->Edirol R-09HR   1 CDR  

Lotus http://www.lotusvibes.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 07/01/06 Tulsa E. Scott Room - Quincy, CA A Schoeps Mk41+KC5+CMC6 hypercardioids (near SBD) ► Grace Lunatec V2 Pre/PS ► Benchmark AD2K+ @ 24-bits, 48 kHz ► Digigram VxPocket V2 PCMCIA soundcard in unidentified laptop (Recorded By Ian Stone) - Transfer - (unidentified software - dithered and resampled from 24bit/48khz down to 16/44.1) ► FLAC Frontend v1.1.2 20050205 (Level ?; generate fingerprints) ► FLAC [693 MB] - Notes from Ian - please note, there is no track 1, it was just tuning etc... so was removed, and I forgot to rename all the tracks. 0 FLAC  

Louis Armstrong  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/08/54 Memorial Hall, University Of North Carolina - Chapel Hill, NC A Soundboard Reel Trade CDs >FLAC (Level 8) Via xACT 2.28 2 FLAC  

Love  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/21/70 Fillmore West - San Francisco, CA A- Audience Reel >Cassette >CDR >FLAC Trade CD >FLAC (Level 8) Via xACT 2.47 1 FLAC  
2. 05/19/96 Rytmeposten - Odense, Denmark A FM Broadcast; Cass I *incomplete* Signed D.C. Orange skies Your mind & we belong together 7 & 7 and 3 interviews 0 FLAC  
3. 07/23/02 Bimbo's - San Francisco, CA B+ FOB: Nyquist Omnis >Sony TCD-D8 DAT Master Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.36 Recorded And Transferred By OldNeumanntapr 3rd Row Center (Some Minor Clipping) 0 FLAC  
4. 12/20/02 Warsaw - Brooklyn, NY A- Unknown Audience   0 FLAC  

Lukas Nelson & Promise of the Real  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/05/14 Hardly Strictly Bluegrass Festival - San Francisco, CA A Schoeps MK4s >NBox >Tascam DR-2D (24bit/48khz) Recorded by Daspyknows, Appx 40 Feet From Stage, Left Side Of Center Rail Next To Trash Cans. Processed Using Soundforge 10b, Down Sample To 16bit/44.1khz WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr 0 FLAC  
2. 07/08/18 Hyde Park - London, England A Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) Recorded, And Processed, By Daspyknows Diamond VIP-Back Rail Dead Center (Appx 45 feet from stage) Processed Using Soundforge 11, Down Sample To (16bit/44.1khz) WAV Files Sent Privately By Daspy WAV >FLAC (Level 8) Via xACT 2.47 0 FLAC  
3. 08/05/19 MetLife Stadium - East Rutherford, NJ A Schoeps MK41 Hyper Cardioids >Baby Nbox >Tascam DR-2D (24bit/48khz) Recorded Section 8, Row 10 Dead Center By Daspyknows WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  

Lyle Lovett  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/01/95 Majestic Theater - San Antonio, TX A+ Multitrack Digital Soundboard >Mixdown DAT Transfer: Otari DTR 8S > Korg ms2000-s @ 16-48 Prepared using iZotope RX4 advanced & Audacity > CD Wave > AudioGate Aqua (16-44) > TLH (flac level 8) 0 FLAC  
2. 11/08/12 Capitol Theatre - Port Chester, NY A+ Digital Soundboard FLAC >WAV >Audacity (Duplicate Single Monaural One-Track File Into Two Channels, Insert .15 Milliseconds Of Blank Space At Start Of Duplicated Right Channel To Approximate A Stereo Effect, Downsample To 16bit/44.1kHz, Index Tracks, Fades) Fix SBEs >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr FLAC  

Lyle Lovett & Robert Earl Keen  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 02/06/00 G. Rollie Coliseum - College Station, TX A Digital Soundboard   FLAC  
2. 12/04/18 Fremont Theater - San Luis Obispo, CA A- 15th Row Center, Right Side Aisle: Nyquist Omnis >Tascam DR100mkII (24bit/48khz) WAV >iZotope RX 6 Advanced & Har-Bal 3.0, Down Sample To 16bit/44.1khz >Audacity (Track Splits,) >FLAC (Level 8) + Tags Via xACT 2.47 Recording, Audacity / FLAC, & Tags By OldNeumanntapr Post Production by Flying -M- iZotope RX 6 advanced & Har-Bal 3.0 0 FLAC  

Lynyrd Skynyrd  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 11/04/75 Cardiff Capitol Theatre - Cardiff, Wales A+ Soundboard Reel [King Biscuit Flower Hour (Digital Remaster)] Trade CD >FLAC (Level 8) Via xACT 2.39 1 FLAC  
2. 07/02/77 Oakland-Alameda County Coliseum - Oakland, CA A+ Soundboard; Westwood One Reels   0 FLAC  

Melvin Seals & JGB https://www.melvinsealsandjgb.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/26/97 Pozo Saloon - Pozo, CA A Digital Soundboard; Sony TCD-D7 Master (Recorded By OldNeumanntapr) 65 Min; Fill: David Lindley 10/23/97 Greenville, SC II DAT Master Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII (16/48) WAV Master> FLAC Via xACT 2.25 1 FLAC  

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